Recent Reviews of Tyrannosaur by our members
Tyrannosaur review by PV
Stagey, Miserabalist British Film
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This movie is a misery-fest poverty-porn drama set 'oop north; with a mad drunk Scotsman and his unlikely friend. It is passable, but really, I was ticking off the social issues as it went on - it's as if the writer.director had a list, and went through all points one by one: alcoholism, tick; violence, tick; racism/Islamophobia, tick. Having said that, it's still worth a watch - but would have been better as a TV drama maybe. The main problem I had was that I just did not believe that the characters would meet and be friends, and I thought some characters were mere steroetypes too. And I could not believe events in the latter part of the film either. But, it's good enough - acting, directing are fine; it's over-written though and the writer is clearly trying to cram as many social issues in as he can - some of those scenes are not needed. In this, it resembles something from a left-wing theatre company on the fringe. Paddy Considine is a well-known and admired actor; this film is no disgrace, but I can't help thinkinhg he should stick to what he is clearly brilliant at.
One possible irritation: the title has little significance in the film but is a nifty marketing trick - it's eye-catching for sure. The marketers of the movie know that dinosaurs sell! I wonder if anyone went to see it expecting Jurassic Park? If so, the must have been well disappointed at the misery-fest on offer.
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Tyrannosaur review by RP
Powerful, bleak, brutal stuff - highly recommended
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I first came across Paddy Considine through his acting in low budget films from director Shane Meadows, in particular his striking lead role in 'Dead Man's Shoes', and I've followed his career since. Not only has he appeared in a number of excellent British films but also in Hollywood productions including a role in 'The Bourne Ultimatum' (as the Guardian journalist near the beginning). And he even went to the same school as my daughters...
'Tyrannosaur' shows his talents as both writer and director – and it's first class stuff. Powerful, bleak, brutal stuff. It deal with self-destructive rage and domestic violence as it tells the tale of Joseph (Peter Mullan), a rage-filled, foul mouthed, violent drunk, who appears to seek redemption as he takes refuge in a Christian charity shop where he meets Hannah (Olivia Colman). But it emerges that Hannah has her own secret – she is the victim of appalling domestic violence from her outwardly respectable but abusive husband (played by the always excellent Eddie Marsan). The film plays out via the revelation of the revenge Hannah has taken to a – perhaps hopeful – ending which takes place a year or so after the main events.
This is not an easy film to watch and it certainly offers no easy or glib answers, but Paddy Considine certainly deserves the BAFTA he won for Outstanding Debut. 5/5 stars – highly recommended.
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