Woody revises Ingmar Bergman's Smiles of a Summer Night, set in the same era, the dawn of the twentieth century but transferred to rural New York state in one of his most beguiling films. The period is pertinent as we sense a society on the cusp of liberation for women, and a wave of technological change which will challenge the popular belief in spiritualism.
It is a film about sexual desire. Three couples meet at Woody's country home, but change partners during a long night of enchantment as they experience the ethereal magic of the woods.
This is Allen's only colour film in a run of four otherwise black and white productions from Manhattan to The Purple Rose of Cairo (part colour) and Gordon Willis captures the golden light flitting on the landscape of New England most beautifully. It is an optimistic film nicely scored with classical pieces.
Julie Hagerty stands out among the ensemble cast as a sexually pragmatic nurse. Woody scores as Wall Street banker seeking to invent man powered flight. It's nice to see Tony Roberts back again, as his womanising pal. Mia Farrow is a touch subdued on her debut in one of Allen's films, but as a group, the cast is wonderful. This is one of Woody's most purely uplifting films. It really is a joy, with humour and accessible philosophy.