Rent Death Walks at Midnight (1972)

3.3 of 5 from 57 ratings
1h 42min
Rent Death Walks at Midnight (aka La morte accarezza a mezzanotte) Online DVD & Blu-ray Rental
  • General info
  • Available formats
Synopsis:
Nieves Navarro stars as Valentina - a model who, in the midst of a drug-fuelled photoshoot, witnesses a brutal murder in the apartment opposite hers. But when the authorities refuse to believe that a crime has been committed, Valentina is forced to assume the role of amateur sleuth in order to unravel the mystery.
Actors:
, , , , , , , , , , Raúl Aparici, Giuliana Rivera, , , Guido Spadea, , Giorgio White, , Roberta Cifarelli, Danilo Bellucci
Directors:
Producers:
Luciano Ercoli, Alberto Pugliese
Writers:
Sergio Corbucci, Ernesto Gastaldi, Mahnahén Velasco, Guido Leoni
Aka:
La morte accarezza a mezzanotte
Studio:
Arrow Films
Genres:
Classics, Thrillers
Countries:
Italy
BBFC:
Release Date:
20/03/2017
Run Time:
102 minutes
Languages:
English Dolby Digital 1.0 Mono, Italian Dolby Digital 1.0 Mono
Subtitles:
English, English Hard of Hearing
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Widescreen 2.35:1
Colour:
Colour
Bonus:
  • Audio Commentary by Film Critic Tim Lucas
  • Introduction to the Film by Screenwriter Ernesto Gastaldi
  • Extended TV Version of the Feature
  • Crime Does Pay - screenwriter Gastaldi reflects on his career in the crime film-writing business, including a look at Death Walks at Midnight
  • Desperately Seeking Susan - visual essay by Michael Mackenzie exploring the distinctive giallo collaborations between director Luciano Ercoli and star Nieves Navarro
BBFC:
Release Date:
06/03/2017
Run Time:
102 minutes
Languages:
English DTS-HD Master Audio 1.0, Italian DTS-HD Master Audio 1.0 Mono
Subtitles:
English, English Hard of Hearing
Formats:
Pal
Aspect Ratio:
Widescreen 2.35:1
Colour:
Colour
BLU-RAY Regions:
B
Bonus:
  • Audio Commentary by Film Critic Tim Lucas
  • Introduction to the Film by Screenwriter Ernesto Gastaldi
  • Extended TV Version of the Feature
  • Crime Does Pay - screenwriter Gastaldi reflects on his career in the crime film-writing business, including a look at Death Walks at Midnight
  • Desperately Seeking Susan - visual essay by Michael Mackenzie exploring the distinctive giallo collaborations between director Luciano Ercoli and star Nieves Navarro

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Reviews (1) of Death Walks at Midnight

Spoilers follow ... - Death Walks at Midnight review by NP

Spoiler Alert
29/08/2017

This giallo features more cigarette smoking than in any other I’ve seen. Never a scene goes by without someone lighting up, putting one out or going about their business with a casual ciggie clinging determinedly to their lips. Also, as is often the case for this genre, the females are not only the victims, but are also far more decent and respectful than the men – certainly Stefano (Pietro Martellanza) is brazenly patronizing and awful to Valentina (Nieves Navarro, or Susan Scott for English audiences) at every opportunity, and his male co-stars aren’t much better. I really hoped I wasn’t going to be asked to believe in him as any kind of hero. The best of this rotten bunch is probably Gio (Simón Andreu), another chain smoker notable for constantly running out of matches.

Valentina, with her incredible mane of red hair, whilst under the influence of an experimental drug, has a vision of a young woman being brutally murdered by a villainous-looking character with a spiked glove. This shades-sporting felon appears to her from then on, many times. Is it a product of her addled mind, as bone-headed Stefano arrogantly suggests, or is the truth more sinister? One thing is certain – any answers don’t come easily in this convoluted, beautifully shot Italian thriller.

In a way, you hope that the villain is purely in her mind. The alternative, of a highly suspicious mac-wearing effeminate looking man in outsize sunglasses always lurking in an almost pantomime manner, not being seen by anyone but Valentina, becomes absurd.

Also absurd, in a thoroughly appealing way, is the somewhat formulaic way the villain (or villains), when unmasked, then take the time to gloat and explain how they got away with their fiendish plan. Here, these revelations precipitate a glorious climactic physical fight that only ends after a series of last-minute, life-saving shocks and surprises.

A little slow in places, and possessing some appallingly chauvinistic behaviour, this is nevertheless great fun and another pleasing addition to the genre.

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