Rent Leon (1994)

Beautifully Done - Leon review by JJ

This is the first time I had seen the film in HD and the mastering process has worked very well indeed. A beautiful piece of telecine to do justice to one of the best of the '90s hitman genre.

A fantastic film with Gary Oldman creating one of the greatest villains in cinema history - Leon review by TB

Luc Besson ventured out of his native France to New York City for this amazing tour de force film (although amusingly the vast majority of the interior scenes were shit in France.)

Jean Reno plays Leon, a hitman who despite his incredible lethality, is also in many ways a childlike character. Natalie Portman, in he debut here, plays Mathildè, a girl who watches her parents be brutally slain and then take solace with Leon. From there, she asks him to train her as a killer to avenge her brother's murder.

But this film belongs to Gary Oldman. He is quite literally... something else. He is a total, complete and utter psychopath, his skin crawling with violence and electricity. And I loved every second watching him on the screen. As much as he is used absolutely perfectly, as in not too much, I just wanted to spend the whole film watching him. One fun fact, regarding his infamous "EVERYONE!" scream is that this was totally improvised. Oldman randomly just decided to shout it at his henchmen, hence the shock. In that moment, a cinematic legend was cemented.

A brilliant film and perfectly realised.

A Crime Thriller - Unsettling & Really Quite Brilliant - Leon review by GI

This is considered one of Luc Besson's best films. It's an American set crime thriller with that gritty and realistic European arthouse style and vibe that makes it eminently watchable and original. In her first real role Natalie Portman is the 12 year old Mathilda whose family is massacred by a corrupt DEA agent, Stansfield (Gary Oldman), and his team. She seeks sanctuary with her strange neighbour, Léon, who just happens to be a highly skilled hitman. Under his tutelage she plots her revenge. The highlights of this film are Oldman as the psychopath agent Stansfield and Reno as the child like and emotionally stunted Léon. But, in the director's cut version, the relationship between Mathilda and Leon takes on a challenging slant and the awkward nature of it makes you perk up and take notice that this is more than a routine action thriller. Besson skirts a very fine line here but he does it skilfully and focuses the narrative on the relationship between Leon and Mathilda turning this film into something highly original and intriguing. It's a film of strange nuances from the opening sequence where Leon's skills take on an almost supernatural air to the various interactions with the main characters and these include the father/son dynamic between Leon and his boss, mafioso Tony (Danny Aiello), and the neurotic and evil force of Stansfield who corrupts all he encounters. Oldman really excels here and makes this psychopath a real force to be remembered. But it's in the beguiling play of father/daughter, mentor/pupil and finally lovers (?) of Leon and Mathilda that the film plays around with your feelings and leave you strangely unsettled but also satisfied.