Hailed as a remarkable, ground-breaking work during two sell-out runs at the National Theatre, the critically acclaimed feature film adaptation of 'London Road' reunites the award-winning team, with a script by Alecky Blythe and music by Adam Cork, and directed by Rufus Norris. With an ensemble cast that includes Olivia Colman, Kate Fleetwood, Anita Dobson and Tom Hardy, 'London Road' documents the events that shook Suffolk in 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and kerb-crawling on their street. The film follows the community who found themselves at the epicentre of the tragic events, and is based on interviews conducted with the road's real residents. Using their own words set to an innovative musical score, 'London Road' tells a moving story of ordinary people coming together during the darkest of experiences.
Don't believe all reviews.
- London Road review by blackrocket2000
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You rated this film: 1
This film is based on true events, but it also based on a musical. And the dialogue is based on actual interviews. A thriller it is not. I made it until the end, because I was tired and had nothing better to do, and in the hope it might get better. It didn't.
I found this review:
Reviewed by: blackrocket2000
Candid and lyrical at the same time
- London Road review by IM
(1) of (2) members found this review helpful.
You rated this film: 5
It is well to be wary of anything "critically acclaimed", as critics can be pretentious and irresponsible like certain architects whose motivation is apparently to impress one another, more than to consider those who must live and work in their creations, or see them every day.
"London Road", I'm glad to say as a self-styled non-critic (pretentious—moi?) is simply lovely. This is England as it is, guaranteed genuine. It's set entirely in one actual road and the script is taken entirely from recorded interviews with residents of that road, or visitors to it, after a series of murders which took place there. We learn what they actually said, some perhaps mindful as to how others might judge them, others completely outspoken as to their sympathies or lack of same. When there is a murderer in your midst, at large, unidentified and for all you know, about to strike again, how do you respond? Some are fearful. Some cannot sleep at night, even after a suspect has been detained. Some younger ones are excited, playing the game of "look at him—could he be the one?"
What brings it to totally unexpected life is putting the recorded words into the mouths of a perfectly-chosen professional cas; and setting those words to music, letting them be repeated back and forth and chorused too, not quite with synchronized dancing but something lyrically perfect, which seduces us into the quiet grace of an undistinguished street, in which everyone is brought together by a shared trauma, as never before—except in the Blitz, but none of them is old enough to remember that.
Then there is a transformation, which lifts us beyond the Blitz and its slow rebuilding and relief as the War ended; beyond the celebratory street party. The residents pull together and beautify their street as never before. They turn shame into pride. This film has embodied that pride and must surely amplify it, being a very fine film indeed.