Chrome plated Lubitsch magic set in his beloved Paris in the twenties. It's a vehicle for Greta Garbo. Apparently, MGM had the tagline 'Garbo Laughs' before they had anything else. But there is a darkness in this film.
Ninotchka was an intuitive film, because it recognised that the era of screwball was about over, with the world at war. It is about Russia after the revolution, a proto-cold war comedy. The script is by Wilder and Brackett and there's a lot of characteristic cynicism.
Three bumbling Bolshevik ambassadors take some jewels to Paris to sell. The aristocrat in exile who once owned them wants them back. The chilly, practical Ninotchka (Garbo) is sent to ensure they don't fall into the hands of the former oppressors of the workers. When she is courted by an aristocratic capitalist (Melvyn Douglas), she thaws, seduced by luxury and romance.
Douglas lacks the charm necessary to make him sympathetic. Garbo is fabulous, but her character is schematic. Utterly humourless and logical when under the Soviet influence, totally frivolous when seduced by the capitalists. The genius of the Lubitsch touch ensures the whole confection doesn't get lost in bitterness. But this is a farce that isn't afraid to be intelligent.
We could not watch the film because the disc is damaged
We could not watch the film because the disc is damaged
We could not watch the film because the disc is damaged