1951 Oscar Best Art Direction Black and White
I was expecting big things from this picture and it delivered! I instantly loved the direct opening, very film noir. There are some killer scenes, most of which contain Glora Swanson, who commanded every scene she watched, she was incredibly believable and a quote that sums her character up is ‘I am big. It’s the pictures that got small.’ Her character was very complex; I went from despising her to pitying her. The lighting was beautiful and played a key role in making Norma Desmond’s (Glora Swanson) mansion a character in itself. This film is a classic to be watched by film lovers of all ages, I want to watch it again now!
Excellent film, fabulous acting, (Gloria Swanson, wow!) and a wonderful story. Well worth watching and lovers of old motor cars will see a few beauties too!
Wilder coldly picks away at the soul of Hollywood in this dark meditation on the film business: half horror, half thriller. It is a typically cynical Wilder vision, famously narrated by a dead man; Joe Gillis (William Holden ) a failing screenwriter floating in the pool of forgotten silent film star Norma Desmond (Gloria Swanson) face down with a bullet in his back.
The mansion Norma shares with her former director/husband, now servant, Max (Erich von Stroheim) is a fascinating location; part Gillis' morbid dream, part mausoleum. It is a kind of Hollywood purgatory, a development hell. Gillis tries to finagle a deal with death, but he is doomed. He is a ghost writer.
There are many gorgeous gothic touches from Wilder and co-author Charles Brackett, like the funeral of Norma's dead chimp, or the wind that blows low eerie echoes through an old cinema organ. The film is full of delicious insights into cinema and its history.
Holden is good as the hubristic, cursed writer, but Gloria Swanson is something more; she is truly strange. Norma entraps Joe in his journey through moral emptiness and the desire to succeed at any cost. It has the expressionist look of film noir, but it's Wilder's pessimism about human nature that most makes Sunset Boulevard a legend of the genre.