The pace is slow, the plot simple, the photography absolutely stunning. Good black and white such as this give a texture to the picture which I find better than any high definition colour. Alec G is of course great, Sid James plays a very straight character, pre slap stick. It is about a burglary but it is more than the plot and certainly more than the action which by modern standards is poor. A great film for a rainy Saturday.
This was my first introduction to The Ealing Comedies and it was a refreshing, simple romp with some great acting from a young Alec Guinness and rotund Stanley Holloway.
Such straightforward stuff to raise the spirits post WW 2 and now in the thick of a 2020 pandemic.
Genial caper which was one of the most successful of the post-war Ealing comedies at the box office. It's curious how the heist film became so abundant across Europe in the early fifties. Maybe the dreams of people still using their ration books made it a popular temptation to make off with the contents of a safe.
It's that image of the underdog who has his day which inspires Alec Guinness performance as a wage slave who is assumed to be a mild, unambitious man in a pin stripe and bowler hat.... who then robs a security van full of gold ingots in the pursuit of a more lavish, exotic lifestyle.
He makes a fine comic team with Stanley Holloway, who melts the gold into Eiffel Tower paperweights, in order to get the swag out of the country. With Alfie Bass and Sidney James they are a likeable bunch of rogues. Audrey Hepburn has a brief pre-fame cameo as a society it girl.
It's an entertaining diversion which pastiches American noir, with the shadows and procedural voice over. The Oscar for best screenplay feels a bit of a stretch; it isn't really that funny. Unusually for a mainstream comedy, there is no romance. But there is a strong flavour of austerity Britain, its citizens finding escape in improbable fantasies.