phenomenal
- Top Hat review by Sarah
Fred Astaire & Ginger Rogers are breathtaking in this extravagant display of their dancing talent. I remember a dance teacher once telling me that Astaire re-shot a scene in this movie 80 times, and this perfectionism certainly paid off. While the storyline can feel like it is dragging a little at times as is common in 'mistaken identity' storylines, this is more than overshadowed by their onscreen chemistry and lavish settings. A must see for all fans of dance & classic Hollywood cinema
3 out of 3 members found this review helpful.
classic dance film
- Top Hat review by CL
Wanted to watch this after seeing the stage show earlier in the year. Fantastic dancing, very funny, and loved the staging. Refreshing to see a film without CGI and other technology. Love modern blockbusters but enjoyed very much the straightforward honesty and awesome skill displayed in this movie.
1 out of 1 members found this review helpful.
Top Hat hat great dancing dsiapointing movie
- Top Hat review by DJ
I took this move out because I was curious about the genre.
They are indeed impressive dancers
However it should have been possible have got more laughs from the comic mistaken id premise
1 out of 1 members found this review helpful.
Musical Classic.
- Top Hat review by Steve
Spoiler Alert
Updated 16/11/2021
Fred and Ginger arrived as a starring double act with Top Hat. It was the first musical created for them, rather than the duo being cast into an existing project. It is a continental farce set in London and an extremely artificial art deco Venice with the classic device of mistaken identity keeping the sparring Americans abroad apart until the final reel.
Fred handles the screwball dialogue pretty well, though Ginger is given little to do outside the dance spectaculars. The support cast is very much at home among the frou-frou of the plot, particularly Eric Blore as the unctuous valet of a bemused toff (Edward Everett Horton). They seem far more married than Horton does to his wisecracking wife (Helen Broderick) .
When Astaire and Rogers are dancing, particularly together, the film is sublime and they have some wonderful Irving Berlin songs to perform. There's the chic swing of Top Hat, White Tie and Tails with Fred backed by a male chorus line. The star dancing in his tails with a cane implies a whole world of style.
The duo performing Cheek to Cheek, with Ginger in that fluffy feather dress, is among their greatest routines. They present pure elegant romance and insinuate an unmissable sexual rapport. Astaire and Rogers together are one of the most enduring images of Hollywood in the 1930s. They must have looked otherworldly to audiences going through the depression.
0 out of 0 members found this review helpful.