graham-willis's - Films of the Year 1946-Present Day List

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George Bailey (James Stewart) has spent his entire life in the small town of Bedford Falls.

Despite his yearning to see the world, George has always sacrificed his personal ambitions for the sake of his family and the local community, settling down to marry his childhood sweetheart, Mary (Donna Reed), and raise a family. However, when a huge amount of money goes missing from the savings and loans company he panics and finds himself preparing to commit suicide. However, he is shown the error of this idea by Clarence (Henry Travers), an angel who has been sent to Earth in order to earn his wings. To this end, Clarence shows George just how badly Bedford Falls and its residents would have turned out had he never been born.

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Sister Clodagh (Deborah Kerr) leads a group of Anglican nuns to a remote Himalayan range of mountains, there to set up a mission in an abandoned harem.

This is her first position of authority and she finds both her physical and her spiritual limits being taxed as she has to maintain order and discipline in a claustrophobically hostile environment. Slowly but surely, however, the privations and hardship they must endure, the extremes of climate and the peculiar amorality of the local natives all combine to slowly corrupt the women's faith, pushing them further into jealousy, anger and madness...

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James Stewart stars with Farley Granger and John Dall in a highly-charged thriller inspired by the real-life Leopold-Loeb murder case.

Granger and Dall give riveting performances as two friends who strangle a classmate for intellectual thrills, then proceed to throw a party for the victim's family and friends - with the body stuffed inside the trunk they use for a buffet table. As the killers turn the conversation to committing the "perfect murder", their former teacher (Stewart) becomes increasingly suspicious. Before the night is over, the professor will discover how brutally his students have turned his academic theories into chilling reality in Hitchcock's spellbinding excursion into the macabre.

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As a psychotic thug devoted to his hard-boiled ma, James Cagney - older, scarier and just as electrifying - gives a performance to match his work in 'The Public Enemy' as 'White Heat's's' cold-blooded Cody Jarrett.

Bracingly directed by Raoul Walsh, this fast-paced thriller tracing Jarrett's violent life in and out of jail is also a harrowing character study. Jarrett is a psychological time bomb ruled by impulse. He murders a wounded accomplice and revels in the act. He neglects his sultry wife (Virginia Mayo) and adores his doting mother. It is among the most vivid screen performances of Cagney's career, and the excitement it generates will put you on top of the world!

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Gloria Swanson as Norma Desmond, an ageing silent film queen, and William Holden as the struggling writer who is held in thrall by her madness, created two of the screen's most memorable characters in Sunset Boulevard.

Winner of three Academy Awards, director Billy Wilder's orchestration of the bizarre tale is a true cinematic classic. From the unforgettable opening sequence through the inevitable unfolding of tragic destiny, the film is the definitive statement on the dark and desperate side of Hollywood. Erich von Stroheim as Desmond's discoverer, ex-husband and butler, and Nancy Olson as the bright spot in unrelenting ominousness, are equally celebrated for their masterful performances.

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Tennis star Guy Haines (Farley Granger) half-jokingly muses about killing his wife with a stranger he meets on a train, unhinged playboy Bruno Anthony (Robert Walker), who'd prefer his father be deceased. In theory, each could murder the other's victim. Crisscross. No motive. No clues. No problem...

except: Bruno takes the idea seriously, with deadly consequences.

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Opening with a shot of an x-ray, showing the main character's stomach, Ikiru tells the tale of a dedicated, downtrodden civil servant who, diagnosed with a fatal cancer, learns to change his dull, unfulfilled existence, and suddenly discovers a zest for life.

Plunging first into self-pity, then a bout of hedonistic pleasure-seeking on the frenetic streets of post-war Tokyo, Watanable - the film's hero - finally finds satisfaction through building a children's playground.

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Kubrick's debut feature tells the story of a war waged (in the present? in the future?) between two forces. In the midst of the conflict, a plane carrying four soldiers crashes behind enemy lines.

From here out, it is kill or be killed: a female hostage is taken on account of being a potential informer; an enemy general and his aide are discovered during a scouting mission... What lies in store for this ragtag group of killers, between their perilous landing in the forest, and the final raft-float downstream... all this constitutes the tale of Kubrick's precocious entry into feature filmmaking.

Jefferies (James Stewart), a photographer with a broken leg, takes up the fine art of spying on his Greenwich Village neighbours during a summer heat wave. But things really hot up when he suspects one neighbour (Raymond Burr) of murdering his invalid wife and burying the body in a flower garden.

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A tyrant schoolteacher - Delasalle (Paul Meurisse) in a seedy boarding school has both his wife (Vera Clouzot) and his mistress (Simone Signoret) looking for a way out as he maltreats them both. They decide to work together to murder their tormentor.

The two women drown Delasalle in the bath then dump the body in a swimming pool. When the pool is drained and no body found they start to worry. When his suit is returned, cleaned, they start to panic. Is he alive? Does someone else know? A spiral of perfectly crafted tension hurtles you to an unparalleled conclusion and an ending you will never forget!

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An ex-con, a corrupt cop, a reformed alcoholic, a wrestler, a sharpshooter and a pair of inside men: these seven men intent on executing the perfect robbery and taking a racetrack for two million dollars. But this is the world of film noir, a tough, sour place where nothing quite goes as planned...

For his third feature Stanley Kubrick adapted Lionel White's 'Clean Break' with a little help from hard-boiled specialist Jim Thompson (The Killer Inside Me), and in doing so created a heist movie classic, one to rank alongside John Huston's 'The Asphalt Jungle' and Quentin Tarantino's 'Reservoir Dogs'. The robbery itself is one of cinema's great set-pieces, as taut a piece of filmmaking as you'll ever find, expertly controlled by Kubrick, who called 'The Killing' his first mature work . Starring Sterling Hayden, perennial fall guy Elisha Cook Jr. and Marie Windsor as his duplicitous wife, 'The Killing' is quintessential film noir, still as brutal, thrilling and audacious as it was almost six decades ago.

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Safe their picturesque chateau behind the front lines, the French General Staff passes down a direct order to Colonel Dax (Kirk Douglas): take the Ant Hill at any cost. A blatant suicide mission, the attack is doomed to failure.

Covering up their fatal blunder, the Generals order the arrest of three innocent soldiers, charging them with cowardice and mutiny. Dax, a lawyer in civilian life, rises to the men's defense but soon realizes that, unless he can prove that the Generals were to blame, nothing less than a miracle will save his clients from the firing squad.

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When a scientist (David Al Hedison) attempts to transfer matter through space, things go horrifically wrong and two grotesque man-fly hybrids are created.

Now, with the head of a fly and a wing in place of one of his arms, the scientist desperately hopes that he, his wife (Patricia Owens) and his brother (Vincent Price) can capture the other mutant and reverse the experiment. .

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Roger Thornhill (Cary Grant) is not a spy. And he's certainly no murderer. Nevertheless, Thornhill's a wanted man: enemy agents want him dead, the police want him arrested, and a cool, mysterious blonde (Eva Marie Saint) just plain wants him.

A victim of mistaken identity, Thornhill can't afford to make any mistakes of his own - so he embarks on a death-defying run for his life. Relentlessly pursued by plane, train and automobile, Thornhill's cross-country chase finally ends atop Mt. Rushmore where, if he doesn't watch his step, he could be in for a terrible fall.

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Alfred Hitchcock's landmark masterpiece of the macabre stars Anthony Perkins as the troubled Norman Bates, whose old dark house and adjoining motel are not the place to spend a quiet evening.

No one knows that better than Marion Crane (Janet Leigh), the ill-fated traveller whose journey ends in the notorious "shower scene". First a private detective, then Marion's sister (Vera Miles) searches for her, the horror and the suspense mount to a terrifying climax where the mysterious killer is finally revealed.