Forgive Me (2001)

By openly, exceeding the borders of the acceptable, the idealistic filmmaker Cyrus Frisch hopes the stream of violence and misery on television will finally come to an end. The praise he gained after the first screening of brutal scenes with social outcasts he filmed, made him outrageous. The director sells himself to the devil and goes even further in the abuse of his protagonists. How long can the viewer stay a passive accomplice?