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The Smiling Lieutenant (1931)

4.0 of 5 from 50 ratings
1h 33min
Not released
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Synopsis:
A simple wink, intended by Austrian palace guard Lt. Nikolaus von Preyn for girlfriend Franzi is accidentally intercepted and misread by the visiting Princess Anna. As a result, the soldier has no choice but to marry the royal lady and move with her to the neighbouring kingdom of Flausenthurm. His girlfriend follows to continue the romance and, subversively, give Princess Anna tips on how to keep her husband satisfied.
Actors:
, , , , , , , , , , Ludwig Heinsich, , , Janet Reade, Werner Saxtorph, Karl Stall, ,
Directors:
Writers:
Leopold Jacobson, Felix Dormann
Genres:
Classics, Music & Musicals, Performing Arts, Romance
Collections:
10 Films to Watch if You Like To Be or Not to Be, Films to Watch If You Like..., Paramount's Laughing Thirties
BBFC:
Release Date:
Not released
Run Time:
93 minutes

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Reviews (1) of The Smiling Lieutenant

Musical Romance. - The Smiling Lieutenant review by Steve

Spoiler Alert
04/01/2023

Musical romance from Ernst Lubitsch who revolutionised Hollywood in the early sound era. More than anyone he brought together the influences that made screwball comedy. The Smiling Lieutenant is based on a German operetta and though a musical, the songs are few and do not impede the lively reflection on the game of love.

It is set in Vienna in a garrison, where the soldiers spend most of their time on romantic manoeuvres. The charming lieutenant is Maurice Chevalier who falls in love with Claudette Colbert, a violinist. He plays the piano. They make music together. The soldier winks at his lover during a parade, only for a passing minor royal to assume he was gesturing at her.

To avoid a scandal, he has to marry the prudish princess (Miriam Hopkins). This being a Lubitsch film, Colbert teaches the royal frump how to seduce her reluctant husband. Which leads to the startling musical number Jazz Up Your Lingerie! Colbert and Hopkins weren't yet the screwball legends they were to become, though Claudette is vivacious.

It's Chevalier's film, and he is as irrepressible as ever, whether crooning his boulevardier songs or revelling in the pre-code innuendo. Or indeed, smiling and winking into the camera. He is a walking libido. It's a light film of playful dalliance which is made joyful by Maurice's ebullient persona. It's not yet peak Lubitsch but it was an exotic bloom in the Hollywood of early sound, and a huge hit.

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