Rent Private Hell 36 (aka Baby Face Killers) Online DVD & Blu-ray Rental

Private Hell 36 (1954)

3.5 of 5 from 47 ratings
1h 21min
Not released
  • General info
  • Available formats
Synopsis:
Two detectives are investigating a robbery. Though they're able to find the money, their trail leads one of them to a woman with expensive tastes, and though he desperately wants to keep her, he knows his salary isn't enough for her to stay.
Actors:
, , , , , , , , , , , , Bridget Duff, , , , , , ,
Directors:
Producers:
Collier Young
Writers:
Collier Young, Ida Lupino
Aka:
Baby Face Killers
Genres:
Classics, Drama
BBFC:
Release Date:
Not released
Run Time:
81 minutes
Languages:
English
Subtitles:
None
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Widescreen 1.85:1
Colour:
B & W

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Reviews (1) of Private Hell 36

Noir Parable (spoiler) - Private Hell 36 review by Steve

Spoiler Alert
28/11/2025

The degree 1950s television encroached on the low budget crime feature is flagged up by the response of a ritzy night club singer (Ida Lupino) to being grilled by the flashy cop (Steve Cochran) she intends to turn into a reliable income: 'I've seen all this on Dragnet'. Still, at least this is in widescreen.

It's a slender morality tale of two detectives who run down a heist that ends in murder, but decide to keep the swag for themselves. Howard Duff falls apart, but Cochran is fundamentally dishonest and is fatally tempted by the windfall he needs to bankroll the avaricious chanteuse.

The film scrutinises the condition of being a police officer doing a dangerous job for little reward. And it’s possible to sympathise… Until Cochran shoots his partner in the back anyway. He is memorably sleazy. Duff contrasts as a family man struggling to provide for his long suffering wife (Dorothy Malone).

Lupino is a touch mature for the femme fatale. Siegel handles his location shoots with skill, using silence to good effect. Like on the tv, the story is rounded up by an homily from a narrator. Maybe the box in the corner would eventually lead to the demise of film noir, but rarely did it as well as this.

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