The Last Movie is a wild one—proper mad. Hopper takes this great idea about a film crew shooting a Western in Peru, then ditches the plot halfway and dives headfirst into chaos. It’s like watching the making of Apocalypse Now before Apocalypse Now was made, only scrappier and even more stoned out of its mind.
The whole “locals start making their own version of the film” bit is genius, but it leans hard into that cringey first-world gaze—like, look at these ‘primitive’ people play-acting. It’s patronising, even if they seem to be having way more fun than the Americans melting down around them. Hopper’s direction is all over the place, but kind of hypnotic. The cast drifts in and out—but the real star is the editing: jumpy, messy, but weirdly perfect. It’d make a cracking double-bill with Alex Cox’s Walker. Not flawless, but fascinating, especially if you like your films a bit feral.