Five minutes in and it's obvious this isn't going to be a hang-out movie. Dogtown and Z-Boys cares more about who got sponsored first than about the ride, and the fun gets shown the door before it's even taken its jacket off.
To be fair, that's the story it's chasing — the Zephyr crew did implode into fame, fallout and bruised egos, and there's something almost gladiatorial about watching a surf shop team discover leverage, like toddlers who've just found the good scissors. The trouble is the structure — one talking head after another, like a school photo where everyone gets their turn to say cheese, until the momentum leaks out. I kept thinking about The Endless Summer, which you could watch on mute and still feel the tide pulling at you. This one wants your full attention and doesn't always earn it.
Unsurprisingly, the one guy who looks like he's doing this purely for the joy of it — and who was in prison while the cameras were rolling — missed out on the big bucks. Everyone else, naturally, turned the documentary into another payday, proof nostalgia pays better than talent ever did.
Then the credits roll and I clock that the director was one of the Z-Boys, and that the whole thing was a vanity project bankrolled by Vans. Suddenly the "skateboard culture curdling into a business" angle isn't subtext — it's the production budget. A film about selling out, itself sold.