Some films take their time setting the table; this one serves the main course in the opening minutes. A young boy, half Jewish and suddenly relocated to his Christian relatives in rural Ethiopia, clutches his beloved lamb as both companion and lifeline. The clash between faith, family, and survival is immediate, as is the boy’s quiet resistance to a household with its own rules and resentments.
Lamb is visually rich—sunlit hills, weathered faces, and the animal itself as a soft, bleating anchor—but it’s also narratively straightforward. The drama moves gently, letting small gestures and silences do the work, though at times that gentleness flattens the emotional impact. It’s a humane, tender portrait, with moments of warmth that feel earned, yet it never quite builds to something unforgettable.
A nice film, thoughtfully told, but one I’m unlikely to revisit or urge on others. Sometimes a simple meal satisfies, but doesn’t call you back for seconds.