A simple tale about a boy and an ox ends up carrying a surprising load. Azarias dreams of school while tending cattle earmarked for his uncle’s dowry, and in that modest set-up the film weaves in education, marriage customs, tribal folklore, and the brutal legacy of civil war. It’s a lot to pasture in one story, yet it mostly works. The music is the secret weapon, giving warmth and rhythm when the narrative ambles. What might have been a scatter of themes instead hangs together as a parable both intimate and allegorical. Not every idea lands cleanly, and some of the weightier subjects feel skimmed rather than dug into, but there’s still charm in how it frames Mozambican history through the eyes of a child, his grandmother, and one very unlucky ox.