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The Big Parade (1925)

4.0 of 5 from 50 ratings
2h 31min
Not released
  • General info
  • Available formats
Synopsis:
Wealthy young idler Jim Apperson (John Gilbert) enlists during the early days of World War I, to the worry of his mother (Claire McDowell) and the pride of his father (Hobart Bosworth). Sent to the front lines in the French countryside, Jim bonds with his working-class bunkmates Slim (Karl Dane) and Bull (Tom O'Brien) and falls in love with young French farm girl Melisande (Renée Adorée), despite having a girlfriend (Claire Adams) back home. But the romance of war is soon shattered for good.
Actors:
, , , , Claire Adams, , , , , , , , , , Carl 'Major' Roup,
Directors:
,
Producers:
Kevin Brownlow, David Gill, Irving Thalberg, King Vidor
Writers:
Laurence Stallings, Harry Behn, Joseph Farnham, King Vidor
Genres:
Action & Adventure, Classics, Drama, Romance
Collections:
Cinema and the First World War, Drama Films & TV
BBFC:
Release Date:
Not released
Run Time:
151 minutes
Languages:
Silent
Subtitles:
None
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Full Screen 1.33:1 / 4:3
Colour:
B & W

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Reviews (1) of The Big Parade

Silent War. - The Big Parade review by Steve

Spoiler Alert
10/03/2022

Hollywood evaded WWI after the armistice, but this success launched a wave of productions about the war over the next 10 years. It was made only eight years after the US joined the conflict, so there must have been real life experience either side of the camera.

This invented the rules for platoon films, partly because it follows a predictable path: the initial patriotism on the home front; the drilling of a group of civilians into a fighting unit; the boredom of waiting and the virile furlough pursuits. Then the young soldiers confront the German army, and are stopped dead on the western front.

Yet there isn't an overwhelming impression of authenticity.  The story is dominated by a romance between its charismatic star- John Gilbert- as a rich doughboy, and the French Renée Adorée as an exuberant farmer's daughter. The cute comedy of their mutual incomprehension is utterly charming.

King Vidor’s epic gave audiences an initial vision of screen war: the fighter planes, the army camps, the anti-aircraft artillery and chemical weapons. A veteran may have felt too many punches are pulled in the interests of tasteful entertainment. It is groundbreaking, but better, more incendiary combat films were coming. 

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