The Blazing Sun (1954)
- General info
- Available formats
- Synopsis:
The film revolves around a young Ahmed (Omar Sharif), who works as an agronomist, and who returns to his village in the south of the valley, where his father works as Headmaster cultivation, Vinjeh in improving the reeds strain. Then loves daughter Basha since they were young, but rivaled the Basha secretary who coveted in the marriage of Nadia .. coincided with anger Basha him because he has a monopoly on the export of sugar cane after optimization conducted by him, exploited Basha dispute between Sheikh Homestead and the beholder is called Basha, secretary fire on the beholder and fabricating the charge to Sheikh Homestead and start enmity between Ahmad and Ibn Sheikh Homestead to avenge his father. - Actors:
- Faten Hamama, Omar Sharif, Zaki Rostom, Farid Shawqi, Abdulwareth Asar, Menassa Fahmy, Abdelghani Kamar, Hamdy Gheith, Mohsen Hassanain, Rafia El Chal, Ahmed El Guiziri, Zaki Ibrahim, Ahmed Abaza, Ibrahim Jackla, Sarag Gomaa, Ahmed Abdel Wareth
- Directors:
- Youssef Chahine
- Producers:
- Gabriel Talhami
- Writers:
- Hilmi Halim, Ali El Zorkani
- Aka:
- Siraa Fil-Wadi / Struggle in the Valley / The Blazing Sky
- Genres:
- Drama, Romance
- Countries:
- Egypt
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Reviews (1) of The Blazing Sun
A Canal Runs Through It - The Blazing Sun review by griggs
Chahine dresses up a class conflict as a fight over a canal, and mostly it works in The Blazing Sun. Whoever controls the water runs the village, simple as that. That's a sharper choice than the personal feuds you get in something like Jean de Florette or Dry Summer.
Faten Hamama is the whole reason to watch this. She does more with a single look than most actors manage in a full monologue. Omar Sharif's first outing doesn't ask much of him yet, but the star wattage is already obvious. Shot in the Valley of the Kings, and the landscape does plenty of the heavy lifting too.
The sabotage plot sometimes feels like scaffolding rather than story. A couple of supporting characters get lost standing next to Hamama, too. It also pulls a punch or two when it could've gone a lot darker.
Still, a film about a canal that ends up being about everything else.