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What Price Hollywood? (1932)

4.0 of 5 from 47 ratings
1h 28min
Not released
  • General info
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Synopsis:
When pretty waitress and Hollywood hopeful Mary Evans serves drinks to famous director Max Carey, a Tinseltown cliche becomes reality, and he offers her a bit part in his new film. Almost blowing her chance due to nerves and inexperience, Mary finally clicks as an actress and becomes an overnight star. But after she marries a polo player who has no interest in the movie business, Max feels betrayed and descends into an alcoholic depression.
Actors:
, , , , , , , , , Sam Armstrong, Zeena Baer, , , Floyd Bell, , Nicholas Caruso, L. Casey, , ,
Directors:
Writers:
Gene Fowler, Rowland Brown
Others:
Jane Murfin, Adela Rogers St. Johns
Genres:
Classics, Drama
Collections:
10 Films to Watch if You Like Once Upon a Time in Hollywood, Films to Watch If You Like...
BBFC:
Release Date:
Not released
Run Time:
88 minutes

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Reviews (1) of What Price Hollywood?

Satisfying Soap (spoiler). - What Price Hollywood? review by Steve

Spoiler Alert
08/10/2022

Sparkling and very entertaining Hollywood comedy-drama... about Hollywood. This was shamelessly ripped off in 1937 for A Star is Born. Mary Evans is a Los Angeles waitress who becomes a big star while the drunken director who discovers her sinks into oblivion and then kills himself. It's full of cynical insider snippets about the trials of showbiz life: the obsessive fans, the paparazzi, the gossip columns.

Constance Bennett, as Mary, is especially good at the comedy. She performs an understated Marlene Dietrich impression when she sings a ballad on a night club set. She makes an appealing personality for the audience to identify with as she scales the hierarchy of celebrity. There's some screwball, but the character is not as dizzy as that suggests and the story becomes increasingly melodramatic.

Mary marries again to that ultimate signifier of early talkie male glamour, the polo playing millionaire. The support cast is capable but un-starry. Louise Beavers makes an impression as the archetypal black maid with a sassy tongue. George Cukor was perhaps Hollywood's ultimate director of quality soaps and he keeps it light and frothy.

This is one of the more amusing examples of Hollywood self-analysis. There's a polished script which is relentlessly witty. There's some art deco to look at. Max Steiner's score is sophisticated. Bennett was one of the biggest stars of the early talkies. She's not remembered so much now, but this is a wonderful vehicle for her gift for romantic comedy.

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