One of the most controversial short film of all time, an experiment contains scenes of a group of people who do things that are considered bizarre, strange and taboo, including sexual activity, Jack Smith's 'Flaming Creatures' is regarded comedy with setting a haunted music studio.
Loosely based on Anthony Burgess's 'A Clockwork Orange', 'Vinyl' tells the story of Victor (Gerard Malanga), a "JD", who is betrayed to the police by his sidekick, Scum Baby (Bob Olivo, aka Ondine), and after being tortured by The Doctor (Tosh Carillo), becomes a useful member of society.
.Marcello Mastroianni stars as a man who shares four names and four personalities (which is the real one?). This mysterious figure is the link between four different, yet strangely similar, stories involving love, lust, crime and time.
Bill Roberts (George Bancroft) works as a stoker on a coal-red barge. It's dirty, hard work and the men have to put up with a foreman, Andy (Mitchell Lewis), who seems to enjoy making their life miserable. When finally off the ship, Bill sees a young woman struggling in the water - apparently trying to commit suicide. He takes her to the Sandbar saloon, the sailors' hangout. The girl is Mae (Betty Compson) and Bill takes a shine to her but so does Andy. One thing leads to another and Bill asks her to marry him then and there. They don't have a marriage ;licence however and despite Bill promising to get one first thing the morning he decides to leave her behind. When she gets into trouble however, Bill steps in.
This was the first movie produced in Israel. It deals with the outbreak of hostilities during the war for independence in 1947. The message of this film was the sadness and stupidity of people killing each other and how "it's always the old who lead us to war and only the young who die..."
Chushingura (1962)The 47 Ronin / 47 Samurai / Chushingura: 47 Samurai / Chushingura: Story of Flower, Story of Snow / Chushingura: The Loyal 47 Retainers
A young lord attempts to combat the corruption endemic to the Shogunate bureaucracy, only to be placed in an impossible conflict of duties. He refuses to pay the "customary" bribe expected by a Chancellor sent from the Shogunate to teach him the etiquette for receiving envoys from the Emperor. In revenge, the Chancellor goads the lord into drawing his sword when the envoys are present, a crime punishable by death. The young lord is forced to commit ritual suicide for this crime. His vassals are ordered to turn over their lords estate for confiscation, forbidden to take revenge for their lords death, then disbanded as a clan. To obey the Shogun, the lords former samurai must follow those orders, but to be loyal to oaths they swore to their lord and have justice, they must avenge him. This conflict of obligations is the primary dilemma in Japanese society, which is why this story is considered their national epic. The story is richly woven and the film worth seeing for the gorgeous art works, buildings, and costumes of 18th century Japan alone.
Kirsanoff's best known work is 'Ménilmontant' (1926), which takes its name from the Paris neighborhood of the same name. The film is a silent, but does not contain any intertitles. It begins with a flurry of quick close-up shots depicting the axe murder of the parents of the protagonists, two girls. As young women, they are portrayed by Nadia Sibirskaïa, Kirsanoff's first wife, and Yolande Beaulieu; their mutual love interest is played by Guy Belmont. The film uses many other techniques that were relatively new at the time, including double exposure.
Myra and Roy meet and fall in love on Waterloo Bridge during an air raid. Their love will be one of the war's unspoken casualities. Heartbroken after Roy is reportedly killed in action, Myra turns to prostitution to make her way. The report, however, is false. Roy later returns from a POW camp, eager to begin life anew with his beloved. But Myra's shattered spirit may no longer hold any room for happiness.
Vivien Leigh plays Myra, at once winning and breaking viewers' hearts in this exquisite melodrama. In a compassionate performance that was his all-time favorite, Robert Taylor is gallant Roy. Under Mervyn Le Roy's astute direction, they make Waterloo Bridge a meeting place for lovers.
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