Jean-Luc Godard transformed the face of cinema with his prolific, influential and revolutionary body of work which includes such classics as 'Breathless', 'Weekend' and 'Slow Motion' to name but a few. His video series 'Histoire(s) du Cinema', consisting of eight episodes made over a period of ten years, is an extraordinary look at the medium through the eyes of this unique filmmaker. Hugely ambitious in scope, the series covers a wide range of topics from the birth of cinema to Italian neo-realism to Hollywood and beyond. A dazzling montage of sight and sound, 'Histoire(s) du Cinema' features a diverse array of film extracts, the voices of - among others - Juliette Binoche and Alfred Hitchcock, and an eclectic music soundtrack ranging from Beethoven to Leonard Cohen.
When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat (Richard Dix) claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra (Irene Dunne) must learn to take care of herself and soon becomes prominent in her own right.
Set in the mid through late 19th century, it depicts Zola's friendship with Post-Impressionist painter Paul Cézanne, and his rise to fame through his prolific writing, with particular focus on his involvement late in life in the Dreyfus affair. Struggling writer Émile Zola (Paul Muni) shares a drafty Paris attic with his friend, painter Paul Cézanne (Vladimir Sokoloff). A chance encounter with a street prostitute (Erin O'Brien-Moore) hiding from a police raid inspires his first bestseller, Nana, an exposé of the steamy underside of Parisian life. Other successful books follow. Zola becomes rich and famous; he marries Alexandrine (Gloria Holden) and settles down to a comfortable life in his mansion. One day, his old friend Cézanne, still poor and unknown, visits him before leaving the city, and tells Zola that with his success he has become complacent, a far cry from the zealous reformer of his youth. Meanwhile, a French secret agent steals a letter addressed to a military officer in the German embassy. The letter confirms there is a spy within the top French army staff. With little thought, the army commanders decide that Jewish Captain Alfred Dreyfus (Joseph Schildkraut) is the traitor, is courtmartialed and imprisoned on Devil's Island in then French Guyana...
Songlian (Gong Li) is the fourth and newest wife to a master who already supports three wives. Each has her own house within the closed world of the family compound, where every evening a red lantern is lit in front of the door of the wife with whom the master chooses to sleep. Let the rivalries begin!
University professor Victor Roth (Frank Morgan) leads a contented life with family and friends in the south German Alps of 1933. This changes quickly and dramatically once Adolf Hitler comes to power. Most of the town embraces the new creed while a few friends such as Martin Breitner (James Stewart) do not. Victor himself is 'non-Aryan' and his two step-sons soon leave his house, while his loyal daughter Freya (Margaret Sullavan) breaks her engagement from Nazi-inclined Fritz (Robert Young). Against increasing difficulties an attachment between Freya and Martin starts to grow.
In 1886, in the Victorian London, the corrupt Lord Henry Wotton meets the pure Dorian Gray posing for talented painter Basil Hallward. Basil paints Dorian's portrait and gives the beautiful painting and an Egyptian sculpture of a cat to him while Henry corrupts his mind and soul telling that Dorian should seek pleasure in life. Dorian wishes that his portrait could age instead of him. Dorian goes to a side show in the Two Turtles in the poor neighborhood of London and he falls in love with the singer Sibyl Vane. Dorian decides to get married with her and tells to Lord Henry that convinces him to test the honor of Sibyl. Dorian Gray leaves Sibyl and travels abroad and when he returns to London, Lord Henry tells him that Sibyl committed suicide for love. Along the years, Dorian's friends age while he is still the same, but his picture discloses his evilness and corruptive life. Can he still have salvation or is his soul trapped in the doomed painting?
A woman falls in love with an amnesia patient in this romantic drama. Wounded World War I soldier Charles (Ronald Colman) has no memory of his past, and when he meets Paula (Greer Garson), he's certain she's the one for him. They marry, but Charles is hit by a car, regains his memory of his life before Paula, and loses all memory of Paula. He returns to his wealthy relatives, and a desperate Paula takes a job as his secretary to be near him.
One of the world's most talented and best-loved performers, Julie Andrews reaches new heights in the most challenging role of her career as a woman pretending to be a man impersonating a woman! Filmed on the Broadway stage, the immensely popular Victor/Victoria is a warm, funny, wildly energetic look at the nature of love, gender perceptions and the battle of the sexes.
Written and directed by Blake Edwards with an unforgettable score by Henry Mancini and Leslie Bricusse, Victor/Victoria tells the story of an out-of-work singer whose life changes when she meets the flamboyant Toddy (Tony Roberts). With his help, she becomes "Victor," an overnight singing sensation in the nightclubs of Paris. But success becomes hilariously complicated when she meets the love of her life, King Marchan, a macho Chicago gangster (Michael Nouri). Adding her two cents to the couple's troubles is Marchan's ex-girlfriend, the ditzy Norma Cassidy (Rachel York).
From the electrifying excitement of "Le Jazz Hot" to the contemplative "Crazy World," from the humor of "Chicago, Illinois" to the touching "Almost a Love Song," this truly classic musical has it all.
In Budapest in 1944, a watchmaker, a book seller and a carpenter are drinking in a bar with the owner, when they are joined by a stranger. The watchmaker asks a hypothetical question that will change their lives.
After his wife, Anjali, threatens to leave him over his heavy smoking habit, K decides to quit in this Kafkaesque tale from India. But when he hires maverick professional Baba Bangali to help him, he enters a nightmarish world run by a madman. Bengali's bizarre methods include humiliation, constant surveillance, kidnapping relatives and amputating fingers if K lights up.
Alice cradles her baby that whimpered but never reveals its face. Haunting cries echo within her boarded-up house in the windy desert. Is Alice crazed killer, ghost, or tortured soul? Elements of the sixth sense and psycho twist and explode in this frightening tale.
When Melvin Dummar (Paul Le Mat) picked up a tramp (Jason Robards) claiming to be Howard Hughes on a highway in Las Vegas, he had no idea that this small act of kindness would change his life forever. After losing his job and his wife, down-on-his-luck Melvin thinks that his life is doomed to fail. Then, a mysterious man delivers to him the Last Will and Testament of Howard Hughes stating that the billionaire had left Melvin $156 million. However, with the authenticity of the Will in dispute, Melvin must fight to prove that the money is rightfully his.
New York beat cronies slumbering through Harry Smith, Burroughs and Ginsberg, University Columbia, Colombia, or the crazy is just what we need, not to "explain" tears in the fabric but to widen them with signs of solidarity that engage with the spiritual every day.
A story of conflict, and emotion. A mother (Nirupa Roy), and her two son Vijay (Amitabh Bachchan) and Ravi (Shashi Kapoor) make it to Mumbai from a small town. While Vijay work alongside his mother and shares the burden, Ravi goes to school and on to college. Vijay is all anger and vengeance, while Ravi treads the path of dharma and the rule of law. This is the wall the separates them. This is not a wall built on the shaky foundations of anger, jealousy of envy. It is a wall built on the bedrock of principles of honesty, labour, dignity, and the rule of law. When of her sons breaks the code, the anguished mother, who loves both her sons, has to end does make the choice.
James Benning took the founding of the New York Times in 1851 as a departure point for his latest film, 'Deseret'. In the best Benning tradition, 'Deseret' unfolds magnificent landscapes captured with a stationary camera during a dozen-odd trips throughout the calendar year - deserts, plains of snow, lonely trails, trees in bloom, cemeteries, ruins, unfriendly rocks, empty settlers' houses, roads that seem to be leading nowhere, a few isolated human figures. Deseret's starkly composed images suggest a space haunted by the official history written back East in the Times. Benning collected 93 stories about Utah, boiled them down to a few lines and used a different shot to 'illustrate' each sentence. As we reach 1900, his black and white footage spectacularly turns to color. The stories told recount the loss of American innocence: from the woes and persecution of the Mormons, the fights with the Indians, the struggle to become a state, to the turning of Utah into a testing ground for nuclear...
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