March 2015. North London rock four-piece Wolf Alice take to the streets of the UK to promote their debut album, 'My Love is Cool', for the last time. Driving from city to city, playing 16 cities in three weeks, the band are joined by Estelle (Leah Harvey), an intern with the band's record company, who will be helping the band with their promotional duties, accompanying them as they visit local radio stations and give interviews to the press. Estelle strikes up an intimate friendship with Joe (James McCardle), a member of the band's road crew, and through their eyes, we see both the magic and monotony of life on the road, giving us a glimpse behind the scenes of a passionate young rock band in their searing prime.
This potent film from Michael Winterbottom is a story of survival and love, a celebration of the small pleasures of everyday life. The father (John Simm) is in prison. The mother Karen (Shirley Henderson) has to bring up a family of 4 children by herself. Filmed over a period of five years, 'Everyday' uses the repetitions and rhythms of everyday life to explore how a family can survive a prolonged period apart. The story unfolds in a series of visits: first the family visiting the father in prison, later the father visiting the family at home. With each visit the distance between the children and their father becomes harder to bridge. By avoiding the normal cinematic conventions of time passing, 'Everyday' focuses on the small subtle changes as people grow up and grow old whilst being apart.
Lu Jie has no idea her husband is leading a double life until she sees him entering a hotel with a young woman. However, a few hours later her world will truly be turned upside down when the young woman dies beneath the wheels of a car and the police refuse to believe her death was an accident...
Magalie, Nadege, Samira, Francoise...Oceane has had her fair share of exes (as her mother never tires of pointing out!) - but when she meets Cecile, a beautiful photographer, she decides this time it's gonna last! But, as ever, commitment is just not going to be all that easy. After all, there are stunning women at every turn, those temptations at parties- plus all those crazy exes! Will the girls find true love amongst all this mayhem, or is Oceane's dream girl about to fall through her fingers?
Empty Room is a dark, highly erotic tale of a married couple whose relationship is slowly sliding into oblivion. Bored and sexually frustrated, the wife begins taking lovers while her unemployed husband spends his days wandering aimless around the city parks. Highly stylised and with a film noir feel, Empty Room is a fine example of how Japanese PInk cinema has developed into a unique genre all of its own.
It's 1939, Max (David Marsais) and Leon (Grégoire Ludig) are inseparable friends and both utterly immature and foolish. Thrown into the middle of WWII, their sole objective quickly becomes to desert their platoon and return to their home town, their old simple life and their wine-drinking ways. But the harder they attempt to escape, the more they find themselves drawn into history in the making, all the way to the beaches of Normandy.
Freely inspired by the kidnapping of Dante Belardinelli, an industrialist of the kidnapped coffee near Florence on May 30, 1989. The film illustrates in parallel the great ambush built and prepared by the NOCS to try to free the kidnapped entrepreneur and the diabolical trap hatched by banned against policemen.
They're a typical Naples middle-class family circa 1973: Mom's a typist, Dad runs a Singer sewing-machine shop, and the siblings are experimenting with the era's newfound freedoms like bra burning, drugs and free love but the pull between tradition and "modernity" is never far from the surface.
Science Fiction was never so wild and depraved as it is in this sex mad intergalactic saga starring Sirpa Lane who'd already shocked the world in the notorious art-house porno The Beast. She now returns in this mind-blowing, completely unofficial, space "sequel" as a woman forced to submit to the carnal lusts of an horrific space monster in a movie that gives trash cinema lovers exactly what they want in a riot of space disco insanity, Sci Fi oddness and twisted eroticism.
Vincent's (Reda Kateb) suburban quiet life with his wife (Ludivine Sagnier) and daughter is disrupted when his sick father comes to stay with them and money issues threaten to jeopardize the construction of their new family home. He finds refuge at the shooting range where he practices his passion for air rifle shooting. There, he meets Renaud (Johan Heldenbergh), a charismatic and mysterious man who convinces Vincent to take a dangerous contract. Little does he know that he is about to enter a very dangerous world...
Momo (Celebrity Japanese porn star Sho Nishino) is unlucky in love and even unluckier in life. Having been diagnosed with an illness that gives her just six months to live, she meets a succubus who offers to grant her one wish in return for her soul. 'The Succulent Succubus' is an erotic comedy starring two of Japan's biggest adult stars; Sho Nishino and Asami.
It is summer in Santiago and Tristan's perfect life is falling apart. His girlfriend leaves him, his job is interrupted by a strike, and his suitcase is stolen. On the other end of the city, Cristina's quiet life is changing. She finds the suitcase inside a garbage can and enters Tristan's world through his big headphones, smoking his cigarettes and becoming the silent witness to his downfall. Cristina and Tristan wander a hot and polluted Santiago de Chile, both searching but unable to find each other.
A sweltering afternoon in Marseilles. Four lives intersect: those of Stephane (Julien Bodet) and Luigi (Ulysse Grosjean), two cousins barely out of adolescence, Georges (Yves Ruellan), a retired worker, Amelie (Adèle Haenel), Luigi's girlfriend, and Anne (Sylvie Lachat), Amelie's mother. Four mundane lives full of pain, humiliation, fear and fatigue that converge on a series of tragic events.
Director Francois (Frederic van den Driessche) is fascinated by the mystery surrounding women and sexual pleasure. Intent on making a film about the subject, he auditions a series of actresses, encouraging them to enact their most secret, forbidden desires. Watched over by two fallen angels, Francois1 immersion into the world of his performers1 fantasies threatens to destroy him. Brisseau's sexually charged film, whose philosophical inquiry into pleasures of the flesh is often leavened by his sly humour, is a provocative and intense experience.
In a small village in rural France, Garbrielle (Marion Cotillard) dreams of a more passionate life, much to her family's chagrin. With the intent of making her into a respectable woman, they marry her off to honest farmer Jose (Alex Brendemühl). Once married Gabrielle develops an illness and is sent to the Alps for treatment. There she meets a dashing injured veteran of the Indochina War (Louis Garrel). The affair rekindles the passion buried deep inside her. With this newfound love, she is determined to run away and free herself from the marriage that imprisons her. This time she's determined to follow her dream.
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