does the synopsis mean to call him a tosspot? does it mean hotshot? surely this needs rewriting....................................?????????????
An insight into the lives of rich sophisticates in ’30s California; mainly a celebrated and entitled -but alcoholic- lawyer (Lionel Barrymore) and his reckless, free spirited daughter (Norma Shearer). It is interesting that with fascism gaining influence in the US and Europe, MGM gave us heroes who see themselves as above the law and normal morality.
Lionel gets a prohibition gangster (Clark Gable) off a murder rap while Norma falls in love with him, and his expensive lifestyle. And if that already looks an impressive cast, there's Leslie Howard second billed as a well-heeled polo celebrity. They stand around expensive apartments in swanky clothes (by Adrian) drinking cocktails as their laissez faire decadence reaps a whirlwind.
Barrymore won the best actor Oscar and Shearer was nominated, which is a bit of a stretch. These are mannered performances. Much of the problem is the direction of Clarence Brown who abandons his stars to lengthy long or medium shots, like figures on a stage. Brown also got nominated and he became a star director of soaps at MGM.
The main interest in this today is to see Shearer, a huge star of early talkies, plus the frivolous precode hedonism. It opens with a discussion of Norma's scanty lingerie! The writing is unpolished, the sound is poor and it has a flat, uninteresting look. But it's fascinating to hear what Hollywood was talking about before the censors took charge.