Some Christmas films smother you in tinsel; this one pelts you with fibs, mix-ups and stolen recipes. Christmas in Connecticut is basically a screwball farce that happens to have a tree in the corner, and it’s all the better for it.
Barbara Stanwyck is a joy as Elizabeth Lane, a glossy “perfect homemaker” columnist who can’t cook, doesn’t have a baby, and certainly doesn’t own the idyllic farm she writes about. Watching her bluff her way through a weekend of borrowed house, borrowed fiancé and borrowed child is half cringe, half delight. She keeps glancing at the chaos like she’s in on the joke, because she is.
The plot piles coincidence on contrivance in that uniquely 1940s way; logic gives up early, but the rhythm carries you. It’s only lightly festive – a few carols, some snow, a handsome sailor under the mistletoe – yet as a cosy, slightly daft showcase for Stanwyck’s comic timing, it goes down very easily.