Taipei Story predates Yi Yi, A Brighter Summer Day, and The Terrorizers, but it already contains the emotional DNA of Edward Yang’s later work. Co-written by Yang and Hou Hsiao-hsien—who also stars as the male lead—it’s a film about a couple, perhaps a city, caught between fading pasts and uncertain futures. Their relationship decays in slow motion, framed by a Taipei changing faster than anyone can handle.
Yang’s touch is subtler here, less polished than his later work, but no less potent. There’s a quiet devastation in every scene, a sense that life is slipping through these characters’ fingers. At the same time, they remain paralysed by nostalgia or indecision.
It’s not as expansive or intricate as A Brighter Summer Day, but it shares its sense of looming dread. And though it lacks the narrative trickery of The Terrorizers, it’s just as precise in capturing isolation. A sombre, aching portrait of modern disconnection—and a vital early entry in Yang’s legacy.