







Long and very detailed domestic drama from Taiwan which enquires into an ordinary middle class family and how they respond to the trials of their normal lives; while arousing a deep sense of empathy for their fears and aspirations.
Director Edward Yang's approach is reminiscent of Yasujirô Ozu, with the static camera and the absence of closeups. And this classical style makes for a stark contrast with the very modern lives of the people of Taipei in a period of instability.
There is an economic recession. More significantly the traditional family cannot withstand the pressure of westernisation. While grandma is in a coma... the younger generations struggle to adapt, and become isolated and uncertain.
The director's disinterested camera exposes the interior space while their personal traumas slowly unravel; the sadness deepened by a beautiful piano score. Everything is understated and unhurried and quietly heartbreaking.
A ONE AND A TWO feels like six year's worth of soap opera squashed into 3 hours such is the level of incident. However, Edward Yang's most famous(?) film is engrossing and involving. The life of a large Taiwanese family and its orbiting friends plays out during a period of time when an elderly relative falls into a coma. From the youngest to the eldest we witness rebellion, infidelity, drunkenness, heartbreak, guilt and more. It's an impressive epic.
This was director Edward Yang's last film before he passed away in the mid 2000s. Set in Taipei, Taiwan.