



Those Whom Death Refused is more significant than it is gripping, but that doesn’t mean it’s not worth your time. As the first film to come out of Guinea-Bissau, its historical weight is undeniable. Rather than glorify the war for independence, Flora Gomes presents it as something quieter, more patient–no grand speeches, no rousing battles. Just ordinary people enduring extraordinary hardship. Telling this story through the eyes of a woman feels both rare and powerful.
Some scenes do have a tendency to drag, especially when the film leans into slow observational stretches. But others linger–particularly the moment news spreads of the independence leader’s death. The camera holds still as grief ripples across the camp, and you feel the weight of everything these people have survived.
This is less a war film than a mournful reflection–not for those who died, but for those left behind to rebuild, to rediscover their identity, and to imagine a future rooted in their own beliefs, myths, and culture.