We Don't Care About Music Anyway (2009)

From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the great musicians of this scene the film offers a view of Tokyo, confronting music and noise, sound, image, reality and representation, documentary and fiction.