Incest, old money, and intergenerational guilt come under the scalpel in this brooding story of lies, power, and the power of lies. Anne Charpin-Vasseur (Nathalie Baye), matriarch of an outwardly perfect upper-class family in Bordeaux decides to run for Mayor. But in the midst of her campaign a leaflet appears, accusing her family of collaboration with the Nazis, profiteering, adultery, and more. One by one skeletons begin to emerge from the closet, sowing discord and distrust as the family begins to unravel.
In this engaging comedy of manners, the radiant Loretta Young plays Katrin "Katie" Holstrom, a naive Minnesota farm girl who leaves home to study nursing in the big city. Bilked out of her cash the first day, Katie lands a job as maid to U.S. Sen. Glenn Morley (Joseph Cotten) and soon finds herself thrust into politics when she takes a public stand for immigrants.
There is only one common factor in these killings: ruthless efficiency. A comprehensive service is offered by the assassination bureau...(limited). No social or political bias, just murder as a fine art. When a determined young reporter cheekily names the bureaus chairman, Ivan Dragomiloff (Oliver Reed), as her victim, he accepts her commission as a means to revitalise his flagging organisation.
Inspired by a novel by best-selling Western author Louis L'Amour, "Heller In Pink Tights" brings the curtain up on the travelling Healy Dramatic Company, a barnstorming 1880's theatrical troupe that spends part of its time emoting on stage - and most of its time fending off confrontational townfolk, irate creditors and suspicious sheriffs. Desperate to find a more flamboyant act to keep their audiences entertained, the ensemble's leaders, Angela Rossini (Sophia Loren) and Tom Healy (Anthony Quinn), put the "Wild" in Wild West with their comic misadventures.
A stellar cast including Jane Seymour, Leo McKern, John McEnery and Leslie Dunlop star in this classic BBC adaptation of one of Charles Dickens' most celebrated novels. A story about two women, both vainly seeking happiness and fulfilment: Lizzie Hexam and Bella Wilfer. Lizzie is the subject of intense romantic interest from two ardent suitors, a class conscious triangle which culminates in tragedy - in addition her father is suspected of murder. Meanwhile Bella enters into an arranged marriage with the owner of a refuse recycling firm - a circumstance linked to Lizzie's plight.
Fantomas (1914)Fantomas: The Mysterious Finger Print / Fantômas contre Fantômas / Fantomas
"Fantomas", the mysterious arch-criminal who holds Paris in the grip of terror, was first brought to the screen in this legendary serial by celebrated French cinema pioneer Louis Feuillade. The creation of authors Marcel Allain and Pierre Souvestre, 'Fantomas' perpetrated the most appalling crimes in 32 hugely popular pulp novels and became a cult favourite of the avante garde, including the painters Rene Magritte and Salvador Dali. Feuillade's serial was one of cinema's earliest and most strikingly original crime dramas, starring Rene Navarre as Fantomas, the master of disguise and leader of a vast army of street thugs, and Edmond Breon as his nemesis, Inspector Juve.
It was one of the strangest days of his life... On a train to New York, Psychiatrist 'Hunt' Bailey (George Brent) becomes acquainted with an old lady called 'Cissie' Bederaux (Olive Blakeney). She tells him about her strange family, about her volatile brother Nick (Paul Lukas) and his beautiful but damaged young wife Allida (Hedy Lamarr). When he later learns that 'Cissie' has died mysteriously, Hunt becomes curious about her family and sets out to meet them. Hunt is fascinated by Allida but Nick warns him that she is losing her mind and that he fears for her safety. But is Nick all that he seems? As Hunt gets closer to Allida, he realises she is in grave peril - and so is he...
When the out of control Betty (Marie Trintignant) meets the recently widowed Laure (Stephane Audran) in a bar, they seem to have an instant bond. But when Laure decides to take her in and Betty begins to reveal a sad and sometimes horrific life story of betrayal and self destruction, something snaps. What follows is one of the most intriguing cat and mouse battles ever witnessed.
Lights flicker and dim. Footsteps sound from a sealed-off attic. Mysterious events only vulnerable young Paula (Ingrid Bergman) sees and hears make her fear she's losing her mind - exactly what treacherous spouse Gregory (Charles Boyer) hopes.
Madame Cuno (Stéphane Audran) and her son, Louis (Lucas Belvaux), are being harassed to sell their house by greedy property developers. When one developer dies in mysterious circumstances and the other is suspected of having murdered his wife. Inspector Lavardin (Jean Poiret) becomes determined to get to the truth, using whatever means he feels are appropriate. And the truth is very grisly indeed...
Professor Jekyll (Ralph Bates), an earnest scientist, obsessively works day and night haunted by the fear that one lifetime will not be enough to complete his research; sidetracked from his objective he becomes consumed with developing an immortality serum. Once convinced his findings are complete, he consumes the potion only to discover that he is to become two as he turns into half Jekyll and half Hyde. Desperate to cover up his new found identity he calls her his sister, but things take a turn for the worse when he realises that he needs female hormones if he is to maintain this existence. Before long he is battling with his alter ego Mrs. Hyde, as a number of young girls begin to go missing in the streets of London...
To the cry of "all for one and one for all" comes a version of the Dumas classic that's fun for all - a rousing, swashbuckling adaptation that was Gene Kelly's favorite among his non-musical movies. Kelly plays country lad D'Artagnan, who comes to Paris with heady ambition and finds his way into the ranks of King Louis XIII's musketeers. He swashes-and-buckles with brio, bringing to action scenes the virile athleticism that set him apart as a dancer in movie musicals. A top cast - Vincent Price as unctuous Cardinal Richlieu, Lana Turner as villainous Lady de Winter, June Allyson as Constance, Van Hefflin as Athos, Robert Coote as Aramis, Gig Young as Porthos and Frank Morgan and Angela Landbury as King Louis and Queen Anne - joins Kelly in this exuberant tale.
The Great Maximus (Claude Rains) has got a new act for the music halls where he makes his living. Working with his beautiful wife Rene (Fay Wray), he poses as a mind reader. It's all a trick, of course: he certainly doesn't have the gift for real. Or so he thinks... When he correctly predicts a terrible train crash, Maximus becomes an instant celebrity. But his new-found fame - and his friendship with sultry Christine Shawn (Jane Baxter) - threatens his marriage. Worse is to come: he is accused not of foreseeing accidents but actually causing them...
Professor Norman Taylor (Peter Wyngarde) seemingly has it all - a great job, the envy of his colleagues, the perfect wife and a healthy skepticism when it comes to all things supernatural. However, over the course of a weekend, Taylor discovers that his wife Tansy (Janet Blair) is a witch and that she has been practicing witchcraft ever since their honeymoon - apparently in an effort to protect him from jealous colleagues and assist his rise within the department. Despite her anguished protestations and warnings, he insists on destroying all the magic paraphernalia in the house and tries to carry on as normal, turning a blind eye to the possibility that his wife and her black magic could in some way have been behind his success. That is until the very next day when things in his life start going badly wrong...
Claude Rains delivers a remarkable performance in his screen debut as a mysterious doctor who discovers a serum that makes him invisible. Covered by bandages and dark glasses, Rains arrives at a small English village and attempts to hide his amazing discovery. But the same drug which renders him invisible slowly drives him to commit acts of unspeakable terror.
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