Jacques (Gérard Oury), a rich industrialist, sneaks around an apartment where he bundles up and disposes of a dead body. His troubles started three months ago, his wife, Gloria (Jeanne Moreau), was having an affair...To get his revenge he sends Gloria anonymous letters in a scheme to turn her against her lover, a scheme that leads to murder. Ingeniously plotted, this methodical noir by Édouard Molinaro (Witness in the City) bathes in atmospheric chiaroscuro while its pulpy thrills, adapted from the novel by Frédéric Dard (Paris Pick-up), keeps the audience guessing until the final moments.
Insurance inspector Oliver Branwell (Jack Hawkins) arrives at Lowis Manor to investigate a fire that broke out there on Christmas Eve. He rings the bell and to his amazement he is face-to-face with Sarah (Arlene Dahl), the woman he once loved in Hong Kong and who one day disappeared from his life for no apparent reason. Love resurfaces and when Tracey (Dennis Price), the owner of the manor and Sarah's husband, dies in a second fire, the couple is reunited. Nevertheless, Oliver suspects Sarah of having tricked him and murdered Tracey with a view to attaining her ends. Fortunately his suspicions are allayed and he can marry Sarah and they are very happy - until a blackmailer starts to prey on them.
Screen legends Barbara Stanwyck and Fred MacMurray star in this timeless, heart-warming Christmas classic that can be enjoyed any time of year! Lee Leander (Stanwyck) is a pretty shoplifter on trial for swiping an expensive bracelet from a local jewellery store. When her trial is postponed until after New Year, the sympathetic Assistant District Attorney John Sargent (MacMurray) bails her out of jail. When he invites her to his family's home for the holidays, she discovers the warmth and love she's never had but always wanted. Featuring a wonderful supporting cast of Beulah Bondi, Sterling Holloway and Elizabeth Patterson, plus a charming script by Preston Sturges and superb direction by Mitchell Leisen, 'Remember the Night' is a not to be missed classic.
On a trip to Europe, her prize in a "fixed" beauty contest, Kathy Allen (Arlene Dahl) meet advertising man Tim O'Bannion (Philip Carey), who is attracted by her beauty but repelled by her ruthlessness towards men. In London, she ruins the career of photographer Larry Buckham (Michael Goodliffe) and compromises Tim's boss Stephen Collins (Herbert Marshall). About to steal Collins from his wife, Kathy learns that the wife's father, elderly John Dowling (Ralph Truman), owns the world-wide advertising agency, so she marries him. Later she accidentally kills him when she mistakes him for a prowler, but she is found guilty of murder and sentenced to die. Will this innocent gold-digger be executed?
"The Adventures of Tom Sawyer", Mark Twain’s unforgettable boyhood hero, is sure to please young and old alike. This vividly nostalgic tale of boyhood adventures in Missouri is timeless, combining danger, young romance, and suspense into one memorable story and outstanding classics.
Wendy Hiller stars in Powell and Pressburger's classic romantic comedy about a young woman who discovers the true meaning of wealth. Joan Webster has her life mapped out, beginning with marriage to a rich industrialist. Her plans go wrong when she finds herself stranded on the way to a remote Scottish island and falls in love with a penniless young sailor.
Criminal mastermind Fantômas (Jean Marais), a man of a thousand faces, is unhappy with Fandor (also Jean Marais), a journalist who's written a fictive interview of him. He kidnaps Fandor, threatens to kill him, but first goes about ruining the journalist's reputation by committing a sensational crime in Fandor's guise. Hot on the trail is police Commissaire Juve (Louis de Funès), so Fantômas commits a crime looking like him. Soon, our intrepid heroes, Fandor and Juve, with the help of Fandor's girlfriend Hélène (Mylène Demongeot), are on the mastermind's trail, but who's in control?
Othello (1951)The Tragedy of Othello: The Moor of Venice
The production began in 1948 but would not be completed untill four years later due to financial difficulties. Without full financing in place Welles would shoot until the money ran out, shut down production while he tried to raise more in acting roles, then reassemble the cast and crew months later. But typically the challenges presented by budgetary constraints only heightened Welles technical flair and imagination behind the camera, resulting in some of the most dramatic scenes and atmospheric scenes he ever shot. In front his portrayal of the doomed Moor was another powerful and charismatic performance. For many years the film was only available in poor prints until 1992 when an original negative was discovered and a $1 million restoration began.
A group of bombers announce that they have placed speed-triggered bombs aboard a Japanese Shinkansen bullet train from Tokyo to Hakata, the "Hikari 109". If the train slows below 80km/h, it will be destroyed. When the terrorists demand five million dollars, the police find themselves in a frantic race against time to find the bombers, defuse the bomb and save the innocent passengers. Pre-dating Speed by almost two decades, The Bullet Train is a gripping, edge of your seat thriller that as well as boasting blistering action sequences also focuses on the simmering political tensions between the civilians, the government and the surprisingly sympathetic bombers. Cult action star Sonny 'Street Fighter' Chiba features as the train operator who must find the device and there's a characteristically stirring performance from Ken Takakura (dubbed the Japanese Clint Eastwood) as a bomber with a serious grudge.
A key work of German silent cinema and an international smash on its release, E.A. Dupont's Variete (Variety) is an audacious revenge melodrama set under the canvas of the big top. When Boss Huller (the iconic Emil Jannings) meets the young emigre Berta-Marie (Lya De Putti), it kindles his desire to relaunch his career as a trapeze artist, stalled due to an injury and the pressures of domestic life. But with passion comes obsession, and with the involvement of the famed Artinelli into their act, tensions rise to a fever pitch. Visually astonishing, with some of the most inventive camerawork of the 1920s, and a typically intense and vivid central performance from Jannings.
Recently released ex-convict Robert Herbin (Robert Hossein) meets Marthe (Lea Massari), a beautiful Italian woman and her daughter. They share some flirtatious glances and then she invites him back to her home where they discover her husband's dead body. Unable to bear witness to a crime due to his parole Robert flees. Guilty about her situation Robert stays close by where he discovers the body has inexplicably disappeared. With its tender depiction of character and relationships director Marcel Bluwal engineers gripping tension with the expertise of Hitchcock or Clouzot. Adapted from the novel by celebrated crime writer Frédéric Dard (Back to the Wall), 'Paris Pick-up' is released for the first time outside of France.
Retrieving the diamonds he stashed before his arrest, thief Miyamoto (Michitarô Mizushima) hopes to help his old partner Mihara (Mari Shiraki), crippled during the heist. Their former boss, crime lord Oyane (Shinsuke Ashida), offers to mediate with a foreign buyer, but secretly wants the stones for himself. The deal goes awry when gunmen appear on the scene. Mihara swallows the diamonds but dies in the chase, leaving a valuable corpse in the police morgue. Miyamoto forms an uneasy alliance with Mihara's wildcat sister Akiko (Mari Shiraki) to keep the gems away from gangsters, cops and even Akiko's greedy boyfriend. This wildly inventive early noir sees Seijun Suzuki (Branded to Kill, Tattooed Life) infectiously playing with genre rules and gender stereotypes.
Chnouf (1955)Razzia sur la Chnouf / Razzia / Razzia in Paris
Henri (Jean Gabin) is brought in following a successful stint in the US to head up operations by gang boss Lisky (Marcel Dalio). Tasked with increasing sales and reforming the drugs distribution network, he unpicks every aspect of the business, but pushers don't want to change and the cops are on his tail. From the creator of Rififi, Auguste Le Breton, and brought to the screen by Henri Decoin (Not Guilty), the influence of American noir is given a French translation as we see the then-nascent drugs trade depicted in remarkable detail. Out of the inky shadows scenery chewing support is given by a rich cast of wonderful character actors including Lino Ventura (Illustrious Corpses), Albert Rémy (The Train) and Magali Noël (Rififi).
From director Tim Burton, Big Eyes tells the outrageous true story of one of the most epic frauds in history. In the late 1950s and early 1960s, painter Walter Keane (Christoph Waltz) had reached success beyond belief, revolutionising the commercialisation of popular art with his enigmatic paintings of waifs with big eyes. The bizarre and shocking truth would eventually be discovered though: Walter's works were actually not created by him at all, but by his wife Margaret (Amy Adams). Big Eyes centres on Margaret's awakening as an artist, the phenomenal success of her paintings, and her tumultuous relationship with her husband, who was catapulted to international fame while taking credit for her work.
Set in 1920's Ireland, Gypo Nolan is desperate, he is broke, hopeless and in love with a prostitute, Katie Maddon. The future looks decidedly dreary. An advertisement in a steamship window that guarantees passage to America for £10 attracts his attention. Recollecting that the English are promising a £20 reward for the capture of Irish rebel Wallace Ford, Gypo turns him in. With his new found wealth Gypo begins to draw attention from the other Irish Rebels who suspect him to be the informer. After his capture by the rebels, Gypo tries to escape but is shot as he staggers into a church where he finds Ford's mother praying. As he lies dying she forgives him for her son's death.
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