Revenge is and has always been one of the most popular and prolific themes in Hong Kong cinema, from classic wuxia epics to kung fu movies and heroic bloodshed films. During the 1970s, Shaw Brothers Studio was the largest production company operating in Hong Kong and the king of the vengeance tale. Presented here are two of the studio's most interesting and underrated takes on the revenge story: The Eunuch and The Deadly Knives (or Fists of Vengeance). A wuxia pian written by the legendary Lo Wei (Fist of Fury) and directed by Teddy Yip (The Black Tavern), The Eunuch begins as the eponymous eunuch Gui De-ha i (Pai Ying, The Valiant Ones) survives an attempt on his life ordered by the Emperor (Lo Wei himself). After killing the Emperor and his family in cold blood, Gui notices that the Prince is missing - and sets out to complete his revenge mission. The Eunuch and The Deadly Knivesvwe made just as the wrofilm was giving way to the kung fu movie in the wake of Bruce Lee's international success, and provide a fascinating insight into how the theme of revenge was retooled as one genre superseded another.
New audio commentary on The Eunuch by action cinema experts Mike Leeder and Arne Venema New audio commentary on The Deadly Knives by Frank Djeng (NY Asian Film Festival)
Falling Leaves, Flying Daggers- new video essay by Jonathan Clements, author of A Brief History of China
New essay on The Deadly Knives by East Asian cinema expert Camille Zaurin
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