







Australian period epic adapted from Thomas Keneally's outback novel. This in turn is loosely based on the real life murders of settlers by a mixed race Aboriginal at the start of the 20th century. These events are then situated within an undeclared war between the indigenous people and the colonials.
So it's a political film, which couldn't find an audience at home. The cruel, ignorant racism allows the approach to be broadly sympathetic to the oppressed natives, despite the horrifically bloody slaughter. Jimmie Blacksmith (Tommy Lewis) can't get a break, until he cracks, and haphazardly strikes back.
Director Fred Schepisi is a bit of a journeyman and the script isn't skilfully dramatised, though the narrative is compelling and the location photography (in Panavision) spectacular. The most effective scene is when the fugitives repair the wreckage of an ancient Aboriginal meeting place, covered in profane graffiti.
Eventually there's an editorial from a hostage schoolteacher (Peter Carroll) which lists the iniquities of the British conquistadors. Schepisi called this an Aussie western, but it's really more of a historic political drama. In prioritising the perspective of indigenous protagonists, this is ahead of its time.
*there is constant realistic racist language.