Cumbria, 1348 - the year of the Black Death. Griffin (Hamish Gough), a young boy, is plagued by apocalyptic visions which he believes could save his village. Encouraging a small band of men to tunnel into the earth, they surface in 1980's New Zealand and a future beyond their comprehension but must complete their quest.
In the Deep South, homicide detective Virgil Tibbs (Sidney Poitier) becomes embroiled in a murder investigation. When the bigoted town sheriff (Rod Steiger) gets involved, both he and Tibbs must put aside their differences and join forces in a race against time to discover the shocking truth.
Forced to live by his wits in order to survive, Zain's life in Beirut reaches a turning point when his parents make an unforgiveable deal that will see his younger sister (Haita 'Cedra' Izzam) married off. Left distraught by this terrible turn of event he takes to the road and whilst looking for work at a fairground, befriends a young woman who is working as a cleaner and helps to look after her adorable baby Jonas (Boluwatife Treasure Bankole). Zain (Zain Al Rafeea) and Jonas form a touching bond but things are about to get much more complicated when a set of circumstances force Zain to make choices that will have huge ramifications. 'Capernaum' is a tribute to the resilience of the human spirit - a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Deep in a forest near the coast of Washington State lies a grotesque Gothic mansion used as a special psychiatric hospital for the military. Those who know of its existence and the nature of project Freud refer to it as 'Center Eighteen'. Confined to the centre are high-ranking military officers undergoing treatment for mental breakdowns, which are unaccountable by their services experiences. Determined to establish the true nature and origin of the men's mental illness, the Pentagon enlist Colonel Hudson Kane (Stacey Keach), a brilliant, yet strangely unorthodox psychiatrist. Typical of the patients is Captain Cutshaw (Scott Wilson), an astronaut who aborted a space probe. He is convinced that God is a fraud. His fellow inmates are similarly consumed with inner torments - they fear the evil within themselves and are afraid that, with a Godless universe, man leads a purposeless existence. Slowly through the love he possesses for his fellow man, Colonel Kane is able to break down the lunatic facade of the inmates and of Captain Cutshaw in particular. But as he leads the way back to a world of reality the dividing line between sanity and madness assumes an increasingly vague definition, so much so that Kane's colleagues pose with real urgency the question of who is therapist to whom.
In the critically acclaimed drama's fourth series, his brother's death catalyzes Jimmy McGill's (Bob Odenkirk)'s transformation into "Saul Goodman". Now Jimmy steps into the criminal world, putting his future as a lawyer and his relationship with Kim Wexler (Rhea Seehorn) - in deep jeopardy. Meanwhile, Mike Ehrmantraut's (Jonathan Banks)'s work for Gustavo Fring (Giancarlo Esposito) throws the cartel into chaos with tragic results.
Part road movie, part suspense thriller, the plot is high-tension simplicity itself. In the South American jungle, supplies of nitro-glycerine are urgently needed at a remote oil field. The unscrupulous American oil company pays four out-of-work men (Yves Montand, Charles Vanel, Folco Lulli and Peter Van Eyck) to deliver the supplies in two sets of drivers: a tension magnified thousand fold by the unforgiving heat, the lure of filthy lucre and the rough and rocky roads where the slightest jolt can result in agonising death. Which of the disparate, desperate desperadoes will survive the white-knuckle journey and claim the loot and the glory?
Deborah Kerr (in the performance of her career) plays the emotionally repressed vicar's daughter who takes up a job as a governess to two seemingly angelic orphans. Gradually coming to believe that the children are possessed by the perverse spirits of their former governess and her sadistic lover, she begins to see manifestations of the ghosts prowling the huge gothic mansion of Bly House. Director Jack Clayton sustains a superbly haunting atmosphere throughout the film, and like James' original work, cleverly retains the ambiguity of wether the ghosts are real or the products of the governess's fevered imagination. Aided by Freddie Francis's exquisitely inventive and atmospheric CinemaScope photography, we, like the governess, are never quite sure what unspoken horrors are lurking beyond the edge of the frame and are kept guessing until the film's tragic conclusion.
New York, the middle of summer. A blonde ex-model is murdered in her bathtub and detectives Muldoon (Barry Fitzgerald) and Halloran (Don Taylor) assigned to the case. Their investigation will lead them through the entire city, from Park Avenue to the Lower East Side, culminating in a thrilling climax atop the Williamsburg Bridge.
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