Film Reviews by griggs

As someone who admittedly struggles with sci-fi, I was surprised by how much I appreciated the film's exploration of the philosophical tensions between science and theology. The central debate, which pits empirical evidence against faith, is thought-provoking and adds depth to a visually impressive spectacle. However, the film is undeniably overlong. They say that if you can cut 10% of a film, you should cut 20%, and Contact would undoubtedly benefit from some serious trimming. The pacing sometimes drags, with scenes that contribute little to the overall narrative.

The timescales depicted in the movie also strain credibility, adding another layer of unbelievability to a story that already requires a significant suspension of disbelief. This detracts from the film's impact, making it harder to fully immerse oneself in the story.

As for Jodie Foster, while she is undoubtedly a great actress, this performance feels weaker than her other roles. Her portrayal of Dr Ellie Arroway lacks the nuance and emotional depth that might have elevated the character beyond the somewhat formulaic role the script offers.

This is a film with interesting ideas and spectacular moments. Still, it ultimately falters due to its bloated runtime, unrealistic timelines, and a performance from Foster that, while competent, doesn't reach her usual standards.

This Korean horror film presents some truly intriguing concepts, exploring whether the phenomenon at its core is sleepwalking or possession. While the first two acts may feel somewhat slow and repetitive, with the tension primarily arising from occasional jump scares in what initially seems like a medical procedural, the third act is exceptional. However, this film is more than just a suspense thriller or a ghost story. It weaves in a deeper narrative, lamenting the erosion of the traditional culture in Korea, which adds a sombre yet exhilarating dimension to the overall experience.

The first time I watched the film (on a copy from Cinema Paradiso), its storytelling completely mesmerized me. However, the poor quality of the recording at times made it difficult to follow the storyline. Fortunately, I found a restored version funded by MoMA that completely transformed my viewing experience. The improved clarity and sharpness of the images made it feel like I was discovering the film anew and enhanced the scenes' emotional impact. It truly is an extraordinary piece of cinema.

Crossing, directed by the brilliant Levan Akin, is a mesmeric film that lingers in the mind long after the credits roll. Akin's masterful direction makes the film entirely character-driven, focusing intently on its protagonists' intricate lives and relationships. Instead of relying on the stunning backdrop of Istanbul to carry the narrative, Akin uses intimate close shots to draw the audience deeply into the characters' personal journeys.

This approach creates an unparalleled sense of immersion. The camera's unwavering attention to the subtleties of expression and interaction makes you feel as though you are not merely watching a film but intruding on genuine moments of connection and conflict. The effect is a visceral experience of human emotion, rendered with a rare authenticity.

The acting is nothing short of incredible. Each actor delivers a convincing performance that blurs the line between fiction and reality, making you feel like an interloper in the scene rather than a mere spectator. Their portrayal of complex emotions and relationships is nuanced and powerful, contributing to the film's profound impact, leaving you deeply moved and affected.

Crossing is a testament to Akin's visionary direction and the exceptional talent of its cast. It is a beautiful film that captivates the heart and mind, offering a profoundly human story that resonates on multiple levels, making you feel deeply connected and understood.

Watching My Neighbor Totoro in its subtitled version on the big screen was a thoroughly wonderful experience, allowing me to appreciate the film as it was originally intended. The enchanting story of two young sisters befriending mystical forest spirits, especially the gentle giant Totoro, is brought to life with beautiful animation and a heartwarming narrative. Studio Ghibli's masterful artistry and storytelling are evident in every frame, creating a magical, immersive world that captivates both children and adults alike. Seeing it in its original language added an authentic touch, enhancing the charm and emotional depth of this beloved classic.

Show Me Love captures teenage angst and awkwardness with charming authenticity. The wooden performances and predictably cliché plot offer a nostalgic trip down memory lane. Suppose you want to relive the cringe-worthy moments of adolescence. In that case, this film delivers it all with a touch of endearing clumsiness.

Oh, MaXXXine, what have you done? The film, which promised to be the grand finale of the X series, instead delivers a masterclass in mediocrity. With a plot so thin you could see through it, characters more lifeless than mannequins, and dialogue that could put an insomniac to sleep, MaXXXine truly redefines the term "disappointment." It's almost impressive how a series that began with such promise and rose to acclaim with Pearl could nosedive so spectacularly. What a sad end to a trilogy that had the potential to be so much more, leaving us with this sad, sorry excuse for a finale.

Chariots of Fire is a film that is just good enough to keep you awake, offering a moderately paced exploration of early 20th-century British runners. While the iconic Vangelis score might have you feeling like you’ve stumbled upon a vintage synthesizer convention, the story itself plods along like a leisurely jog rather than a sprint. Harold Abrahams’ plotline of overcoming antisemitic prejudice simply because he can run fast is a subtle reminder of how bigotry can be defeated by wealth. The characters are charming in a stiff-upper-lip sort of way, and the period costumes, so authentically drab, will transport you back to the early 20th century. It’s a solid choice if you’re in the mood for some light historical drama that won’t leave you breathless.

Ah, The Blair Witch Project, what a masterpiece of shaky camera work and incoherent mumbling! Who wouldn't want to spend 81 minutes watching a group of 'actors' stumble through the woods, pretending to be scared of stick figures and piles of rocks? The innovative decision to never show the witch was a stroke of genius, leaving audiences with the thrill of using their imagination to conjure something scarier than the film itself. And let's not forget the nausea-inducing cinematography, perfect for those who enjoy feeling seasick in a cinema. Indeed, it is a groundbreaking piece of cinema that redefined the limits of patience.

At 93, June Squibb is basically the Tom Cruise of the senior set, doing her own stunts as Thelma, a spry yet mischievous granny on a mission for justice after being swindled by a phone scammer. While her panicked family squabbles tiresomely in the background, Thelma cruises around town on a stolen mobility scooter amidst massive explosions, proving that age is just a number. The film may be light on laughs, but Squibb's charm makes this otherwise formulaic film somewhat bearable.

Oh, Lisa Frankenstein was just an absolute masterpiece of mediocrity! They took the classic Frankenstein story, wrung out all the horror and drama, and drenched it in painfully awkward teenage angst. The special effects? Stunningly reminiscent of a high school drama club production. And the script, my goodness, who knew you could fit so many clichés into one movie? This film is a must-see if you enjoy cringing for two hours straight and questioning your life choices. Two stars simply because I managed to stay awake till the end.

The Servant is a deliciously twisted film that masterfully blends noir, horror, and dark comedy, reminiscent of Frankenheimer’s "Seconds" (1966). Tony, a wealthy layabout, unwittingly lets his manipulative servant Hugo and Hugo’s "sister" Vera turn his life into a nightmare. From the start, Wendy Craig’s Susan, Tony’s perceptive but snobbish girlfriend, sees through their schemes. The film escalates into a series of manipulative manoeuvres and awkward seductions, with Vera seducing Tony in a humorous and chilling scene. Director Joseph Losey crafts a frightening and funny story, with impeccable performances and a sharp script that makes The Servant a modern classic. It's a lacerating satire wrapped in the guise of a scandalous soap opera. It is a must-watch for anyone who enjoys their drama with a side of dark humour and existential dread.

A masterpiece of sheer subtlety and restraint, the Coen brothers' debut film is a refreshing original take on a seemingly simple story. They have managed to turn a tale of a sleazy bar owner, a cheating wife, and a bumbling private detective into a complex web of unnecessary complications, showcasing their unique ability to add unexpected depth to a plot.

Serpico is just the perfect bedtime story for anyone who’s ever dreamt of becoming a police officer. Who wouldn’t want to dive headfirst into a world where corruption is the norm and the only reward for honesty is a one-way ticket to paranoia and isolation? Al Pacino’s portrayal of Frank Serpico, with his big, soulful eyes and relentless quest for justice, is the heart of the movie, designed to make everyone feel warm and fuzzy about the moral fabric of our society. And let’s not forget the delightful backdrop of gritty 1970s New York City, which adds extra beauty to this uplifting tale. It’s a must-watch for anyone who enjoys a good laugh at the expense of their faith in humanity.

Richard Linklater's Boyhood is a cinematic time machine, condensing 12 years of growing pains into a breezy 2 hours and 45 minutes. Ellar Coltrane goes from an inquisitive kid to a moody teen right before your eyes, reminding you just how awkward puberty is. Patricia Arquette and Ethan Hawke play the parents with such authenticity that you'll wonder if they got trapped in a real-life parenting simulator. By the end, you'll feel like you've survived another childhood—braces, bad haircuts, and all. Five stars for this epic nostalgia trip that proves time flies, especially when someone else is doing the aging.