Alex is halfway out the door — a marriage wobbling, two kids in the middle, and nobody quite saying the quiet bit out loud. Then he stumbles into stand-up the way some people stumble into therapy: by accident, then out of necessity. The big question in Is This Thing On? isn’t “is he funny?” so much as “is he honest?” — and whether honesty onstage counts if you can’t manage it at home.
I also liked the place of it. The real streets and comedy clubs of New York City give the film a lived-in hum, and any film that swings by Grand Central Terminal is always going to get extra credit from me. Comfort-food geography for the cinephile brain.
Then Bradley Cooper turns up as “Balls” and, to my eyes, seems to be doing a Jason Mantzoukas impression — and I honestly can’t work out why, because the character adds little to the proceedings.
And yes, the couple end up back together again. Of course they do. It’s too likeable to do anything braver — thoughtful, but a bit too tidy.