In the 1930s, the Hollywood studios discovered that screwball comedy blended with the golden age detective story with the sparkle of a gin fizz. And was popular with audiences. The success of The Thin Man series led to many imitations. William Powell shared his urbane, nonchalant smarts with a few other female comedy stars. And was so irresistible, it always works.
This is among the best of these. There is a serviceable mystery about the murder of a jockey with a black widow spider when just about to take the lead in a horserace loaded with large, dubious bets. The cast of suspects is a little grey, but it intoxicates because of the sparring of Powell with screwball great, Jean Arthur.
He is a police doctor, the kind who lives in a huge, deco apartment and employs Eric Blore as his butler. She is a chic, successful writer of detective stories who was divorced by Powell because she kept involving him in madcap murder mysteries. And she tries to win him back, by tangling him up in... tracking down the dangerous killer of a jockey.
James Gleason gives fine support as the long suffering Irish detective. There's a funny/crazy script. The stars are superb and this could easily have been a successful series. Arthur has a lot of fabulous gowns. Powell is so practiced at opening bottles of champagne that he can hit a gong with the cork at ten paces. It's charming and effortless studio-age escapism.