"The Deceived" follows English student, Ophelia (Emily Reid), who falls in love with her charismatic lecturer, Michael (Emmett J Scanlan). Following the accidental death of Michael's wife, Ophelia moves to Ireland to be with him, just when suspicions around his wife's death begin to grow. As Ophelia finds herself taking the place of a dead woman, she must discover whether it is the ghost of Michael's wife haunting her, or her own guilt.
One of the most famous blunders in military history, which sent the Light Brigade to its doom at the Crimea, provides the climax to a passionately felt and provocative British film. Tony Richardson creates a sweeping panorama of mid-Victorian England in all its complacency and callousness, and a biting screenplay by Charles Wood brings wit as well as anger to dramatising the gulf between the leaders and the led. The film affords memorable roles for Trevor Howard and John Gielgud as the incompetent Lords Cardigan and Raglan who drive the men to their death, and stars David Hemmings at the height of his career.
"Mrs. Harris Goes to Paris" tells a humorously heartwarming tale about a London housecleaner Ada Harris (Lesley Manville), who thinks her lonely life might turn around if she can become the owner of a Christian Dior gown. Saying goodbye to friends like Archie (Jason Isaacs) won't be easy, and neither will be winning over elite people in Paris from Madame Colbert (Isabelle Huppert) to idealistic accountant André (Lucas Bravo). But Ada's irrepressible charm just might end up saving the whole House of Dior in this uplifting story of how an ordinary woman becomes an extraordinary inspiration by daring to follow her dreams.
Jack Stanton (John Travolta) is a virtually unknown Southern governor on a quest for the White House with his strong, savvy and equally ambitious wife, Susan (Emma Thompson). Running against all odds, the Stantons need all the help they can get from their extremely colourful political team. Together, they take off on a hilarious, heart-wrenching and ultimately history-making roller coaster ride to the top.
While millions of birds migrate freely in the skies, Fadia, a Palestinian refugee in Lebanon, yearns for the ancestral homeland she is denied. After a chance meeting with film director Sarah Beddington, Fadia challenges her new friend to find an ancient mulberry tree that stands witness to her family's existence - with only inherited memories, a blind man and a two-headed dragon as her guides. Along the way, Sarah crosses paths with ornithologists, whose observations on the homing instincts of the birds shine a light on the unresolved problems in the region. Filmed over fifteen years, artist Sarah Beddington's debut film adopts a birds' eye view to tell the story of a friendship that stays connected across a divided land, reflecting on freedom of movement, exile, identity and the hope of returning home.
Sandrine Bonnaire won a Best Actress Cesar for her portrayal as Mona - a young and defiant drifter in this tragic story. Using a largely non-professional cast Varda recollects Mona's story through flashbacks of those who encountered her, producing a splintered portrait of an enigmatic woman. She's not a kind girl but courageous while wandering in the winter. She announces in 1984 the collective conciousness of homeless people dying from the cold.
Agnes Varda's classic 'Cleo from 5 to 7' from 1962 manages to successfully capture Paris at the height of the sixties in this intriguing tale expertly presented in real time about a singer (Corinne Marchand) whose life is in turmoil as she awaits a biopsy test result.
'Hilma af Klint' was an abstract artist before the term existed - a visionary, trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, began in 1906 to reel out a series of huge, colourful, sensual, strange works without precedent in painting. The subject of a recent smash retrospective at the Guggenheim Museum in New York, af Klint was for years an all-but-forgotten figure in art historical discourse. Her work inspired some of the most celebrated contemporary artists including Josef Albers, Paul Klee, Cy Twombly, Andy Warhol, Mondrian, and Kandinsky...
Johnny (Joaquin Phoenix) and his young nephew (Woody Norman) forge a tenuous but transformational relationship when they are unexpectedly thrown together in this delicate and deeply moving story about the connections between adults and children, the past and the future, from writer-director Mike Mills.
Bresson's classic film, adapted from a story by Tolstoy, tells of the tragic chain of events which ensue when two schoolboys pass a forged banknote in a photography shop. The note is transferred to the unwitting Yvon (Christian Patey), a delivery driver, who is arrested for possessing it. Despite being cleared by the court, Yvon loses his job and becomes trapped in a disastrous spiral of theft, imprisonment and murder. Considered to be the last masterpiece of his
Young Finnish archaeology student Laura (Seidi Haarla) is convinced by her lecturer - and lover - to take a trip to an ancient site of petroglyphs near the Arctic Circle. However, when she boards the long-distance train to take her there, she finds that she has to share her carriage with the boorish and belligerent Ljoha (Yuriy Borisov), a foul-mouthed, misogynistic drunk travelling to his new job as a miner. Initially, they seem to have nothing in common, but, like the landscape they're travelling through, the more time Laura spends with Ljoha the more he thaws, revealing an unforeseen kindness beneath the macho facade. This chance meeting between the two occupants of compartment no.6 brings about an awakening within them, forming a bond they will never forget.
After his inevitable arrest (and almost immediate release), Michel (Martin LaSalle) reflects on the morality of crime, developing a vague theory that exceptional individuals are above the law. Lost in another world, he rejects his friends in favour of a life of crime and is seemingly set on finding his place in the world by engineering a head-on collision with society.
Nitram (Caleb Landry Jones) lives with his mother (Judy Davis) and father (Anthony LaPaglia) in suburban Australia in the mid 1990s. He lives a life of isolation and frustration at never being able to fit in. That is until he unexpectedly finds a close friend in a reclusive heiress, Helen (Essie Davis). However when that relationship meets its tragic end, and Nitram's loneliness and anger grow, he begins a slow descent that leads to disaster.
In a deserted Macedonian village, Hatidze, a 50-something woman, trudges up a hillside to check her bee colonies nestled in the rocks. Serenading them with a secret chant, she gently manoeuvres the honeycomb without netting or gloves. Back at her homestead, Hatidze tends to her handmade hives and her bedridden mother, occasionally heading to the capital to market her wares. One day, an itinerant family installs itself next door, and Hatidze's peaceful kingdom gives way to roaring engines, seven shrieking children, and 150 cows. Yet Hatidze welcomes the camaraderie, and she holds nothing back - not her tried-and-true beekeeping advice, not her affection, not her special brandy. But soon Hussein, the itinerant family's patriarch, makes a series of decisions that could destroy Hatidze's way of life forever.
Career con man Roy (Ian McKellen) sets his sights on his latest mark, recently widowed Betty (Helen Mirren), who's worth millions. And he means to take it all. But as the two grow closer, what should have been another simple swindle becomes a high-stakes game of cat and mouse in this suspenseful drama about the secrets people keep and the lies they live.
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