cinemadiso's - 1930s in Films Vol. 2 List

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Arts patron Mrs. Claypool (Margaret Dumont) intends to pay pompous opera star Lassparri (Walter Woolf King) $1,000 per performance.

Hey, maybe that's why they call it grand opera! Grand comedy, too, as Groucho, Chico and Harpo cram a ship's stateroom and more than wall-to-wall gags, one-liners, musical riffs and two hard-boiled eggs - all while skewering Lassparri's schemes and helping two young hopefuls Rosa and Riccardo (Kitty Carlisle and Allan Jones) get a break. To save the opera, our heroes must first destroy it. And they must also gain ocean passage as stowaways, pull the wool (if not the beards) over the eyes of City Hall, shred legal mumbo-jumbo into a Sanity Clause, pester dowager Claypool and unleash so much glee that many say this is the best Marx Brothers movie. Seeing is believing.

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Experience the excitement and the terror felt by movie-going audiences when R.K.O. released the original monster classic.

Behold the discovery of the giant ape King Kong on Skull Island, his terrifying battle against the prehistoric creatures that live there, and his brutal murder of the ship's sailors that follow him. See King Kong's voyage to New York and his fatal attraction to the beautiful Fay Wray, leading to death and destruction as Kong pursues her through New York City. Witness the awe-inspiring finale as Kong ascends the Empire State Building, only to be shot down by fighter pilots in a breathtaking display of 1930's aerial photography.

Dr. Frankenstein (Colin Clive) dares to tamper with life and death by creating a human monster (Boris Karloff) out of lifeless body parts.

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The acclaimed sequel to the original 'Frankenstein', one of the most popular horror classics in film history, has now been restored in stunning high definition. The legendary Boris Karloff reprises his role as the screen's most misunderstood monster, now longing for a mate of his own.

The last horror film directed by James Whale features a haunting musical score that helps make 'The Bride of Frankenstein' one of the finest and most touching thrillers of its era.

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When Dan Hardesty (William Powell) meets Joan Ames (Kay Francis) in a Hong Kong bar, he doesn't let on that he's an escaped murderer, nor she that she's suffering from a fatal illness.

After Dan is caught by Sergeant Steve Burke (Warren Hymer), the two head back to America via ocean liner, and spot Joan also aboard. Dan talks Steve into letting him out of the cuffs, and for the duration of the trip, he and Joan indulge in a romance both know can never last.

When a small-town idealist Longfellow Deeds (Gary Cooper) goes to New York to collect a $20 million inheritance, he finds romance with wisecracking journalist Babe Bennett (Jean Arthur), becomes the target of ruthless businessmen and relatives, and finally decides to give his fortune away because it's so much trouble.

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In this Oscar-winning farce, Cary Grant (in the role that first defined the Cary Grant persona) and Irene Dunne exude charm, cunning, and artless affection as an urbane couple who, fed up with each others infidelities, resolve to file for divorce.

But try as they might to move on, the mischievous Jerry can't help meddling in Lucy's ill-matched engagement to a corn-fed Oklahoma businessman (Ralph Bellamy), and a mortified Lucy begins to realize that she may be saying goodbye to the only dance partner capable of following her lead. Directed by the versatile Leo McCarey, a master of improvisation and slapstick as well as a keen and sympathetic observer of human folly, 'The Awful Truth' is a warm but unsparing comedy about two people whose flaws only make them more irresistible.

Jean Arthur stars as Alice Sycamore, the stable family member of an offbeat clan of free spirits who fall for Tony Kirby (James Stewart), the down-to-earth son of a snooty, wealthy family. Amidst a backdrop of confusion, the two very different families rediscover the simple joys of life.

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Later adapted as 'My Fair Lady' George Bernard Shaw's wonderful comedy of manners is given its finest screen outing in this 1938 production. Nominated for four Oscars, Shaw himself was one of the recipients of the award for best screenplay.

Snobbish Professor Higgins has a wager with his friend Colonel Pickering that with the right instruction he can pass off cockney 'gutter-snipe' Eliza Doolittle as a 'lady' among high society. Taken under his wing Eliza is given rigorous coaching in elocution and manners in preparation for the ultimate test, her appearance at an ambassador's reception.

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An innocent man on the run. A beautiful icy blonde. A fast-moving cross-country pursuit. A chaotic world where no one is ever what they seem. 'The 39 Steps' set the template for Hitchcock's classic suspense thrillers.

John Buchan's very loosely adapted story begins when Richard Hannay picks up the exotic 'Annabella Smith' at a music hall. The next morning he discovers she's been killed and finds himself in the frame for her murder. Way ahead of its time in terms of its pace, black comedy and the sexual chemistry between the charismatic leads (particularly when Carroll removes her stockings while handcuffed to Donat), 'The 39 Steps' is among Hitch's finest and has been voted into the BFI's Top Five Favorite British Films.

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Dita Parlo stars as a young bride who begins married life aboard her husband's barge on the Seine. But within the boat's cramped confines, shared with a small crew (including the eccentric Pere Jules, memorably played by Michel Simon) and an abundance of cats, the relationship begins to founder.

Vigo imbues this simple tale, beautifully shot by Boris Kaufman, with social realism, lyrical romance and sensual eroticism to create a unique and enduring classic.

L'Atalante (1934)
This intoxicatingly inventive masterpiece is one of the world's great films. A simple and engaging plot is transformed into a kaleidoscope of dazzling digressions and offbeat characterizations complete with tour-de-force scenes that still seem fresh and startling.
À Propos de Nice (1930)
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Cote d'Azur, especially its wealthy inhabitants.
Taris (1931)
An Inventive short portrait of a swimming champion.
Zero de Conduite (1933)
A radical, delightful tale of boarding-school rebellion that has influenced countless film-makers.

The film is set against the impressive backdrop of Monument Valley in Utah and tells the story of a mixed group of travellers who are making their way across the country to Arizona. They are endangered by an Indian War Party and this, along with their personal histories, results in difficulties.

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Off-screen pals James Cagney and Pat O'Brien teamed for the sixth time in this enduring gangster classic. Cagney's Rocky Sullivan is a charismatic ghetto tough whose underworld rise makes him a hero to a gang of slum punks.

O'Brien is Father Connolly, the boyhood chum-turned-priest who vows to end Rocky's influence. Other ace talents join them: Humphrey Bogart as a scheming lawyer, Ann Sheridan as Rocky's hard-edged girlfriend and the Dead End Kids as worshipful street urchins, all ably directed by Michael Curtiz.

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Garbo Talks!, proclaimed ads when silent star Greta Garbo debuted in talkies. Nine years and 12 classic screen dramas later, the gifted movie legend was ready for another change.

Garbo Laughs!, cheered the publicity for her first comedy, a frothy tale of a dour Russian envoy sublimating her womanhood for Soviet brotherhood until she falls for a suave Parisian man-about-town (Melvyn Douglas). Working from a cleverly barbed script written in party by Billy Wilder, director Ernst Lubitsch knew better than anyone how to marry refinement with sublime wit. "At least twice a day the most dignified human being is ridiculous", he explained about his acclaimed Lubitsch Touch. That’s how we see Garbo’s lovestruct Ninotchka: serenely dignified yet endearingly ridiculous. Garbo laughs. So will you.

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It's been eleven years since the downfall of arch-criminal and master-of-disguise Dr. Mabuse (Rudolf Klein-Rogge), now sequestered in an asylum under the watchful eye of one Professor Baum (Oskar Beregi).

Mabuse exists in a state of "catatonic graphomania", his only action the irrepressible scribbling of blueprints that would realise a seemingly theoretical "Empire of Crime". But when a series of violent events courses through the city, police and populace alike start asking themselves with increasing panic: "Who is behind all this?!" The answer borders on the realm of the impossible...