denry's - Rented List

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Detective Sergeant Frank Heriot (Jeremy Kemp) is healthy, happily married, and has a good job.

So what has made him cold and remote towards his family? And why is he suddenly plagued by terrible headaches? Is he mentally ill or is something far more sinister affecting his mind? Gradually, the answer becomes clear: Frank is the victim of an unknown force seeking to undermine public confidence in the people and institutions that form the backbone of the British Establishment. Doctors, teachers, scientists, clergymen and writers and are all among its targets; its ultimate aim is anarchy. Where will the mysterious menace strike next? It could be the man who sits next to you on the bus. It could be you…

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Intriguing film noir about a novelist (Dana Andrews) out to expose the injustices of capital punishment. Working with his fiancee's (Joan Fontaine) father, a newspaper publisher (Sidney Blackmer), he frames himself for murder, intending to produce exonerating evidence at the last moment.

But the publisher suddenly dies, the evidence is lost...and that's only the first twist in a brilliantly layered plot ideally suited to Lang's talents.

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Badly injured in a boating accident, John (Michael Craig) and Pat (Janet Munro) Harris's daughter Ruth (Lynn Taylor) is rushed to hospital.

They are told that an urgent blood transfusion is needed, but John refuses his consent on religious grounds - even though that would mean his daughter's certain death.

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When the murder of a priest results in a botched police investigation, prosecutor Henry Harvey (Dana Andrews) leads an effort to bring the killer to justice.

Once blackmail creeps into the investigation, all bets on an unclouded trial are off, resulting in an expolosive finale that remains one of the toughest in Kazan's work.

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Richard Vernon and Michael Aldridge star as Home Office-appointed criminologists in this clever, humorous and highly original Granada series.

Devised and co-written by the award-winning Robin Chapman - the creator of the series' famous prequel 'The Man in Room 17' and a veteran screenwriter and novelist whose credits also include the highly controversial 'Big Breadwinner Hog' - 'The Fellows' charts the continuing work and often strained relationship of Room 17's former occupants Oldenshaw and Dimmock. Now appointed to the Peel Research Fellowship at All Saints' College, Cambridge, they no longer simply solve crimes, trap spies and hunt traitors; their new brief is to investigate the changing nature of crime, ultimately advising the police, legislature and government. But the familiar cat-and-mouse game with the criminal fraternity isn't over yet, and and their ingeniously unorthodox tactics help to ensnare several lynchpins of organised crime - including infamous gangland boss

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Dick Powell plays a returning World War II veteran who at first blush would seem to have everything going his way - a good marriage with a beautiful and loving wife in Jane Wyatt and a healthy, energetic young son in Jimmy Hunt, along with a lovely home and a position as a Los Angeles insurance

executive. Powell exhibits the restlessness that many returning servicemen experienced following the global military conflict. His penchant for excitement leads him into an extra-marital affair with sexy blonde model Lizabeth Scott. What propels "Pitfall" into the ranks of a chilling film noir drama is the appearance of a ruthless sociopath willing to destroy all in his path to secure his objective, which in this case is possessing Liz Scott, body and soul. Corrupt private detective Raymond Burr overlooks the unyielding rebuff of Scott, who detests him. Burr convinces himself that eventually her feelings will change. The element thrusting Powell into the combustible picture is Burr's selfish realization that Scott holds true feelings for the decent but fallible insurance executive. He believes that to have Scott all to himself he needs to destroy both Powell and her boyfriend (Byron Barr), who is about to be released from jail. If he can successfully play one man against the other, they will be removed from the picture, leaving him to take up romantically with Scott. "Pitfall" came along when post-World War II film noir was generating cash and artistic dividends.The French artistic wave led by the likes of Albert Camus and Jean Paul Sartre recognized the significance of voices interpreting a world comprised of creative voices interpreting life in Cold War society, the first to live in the new nuclear age. Mental toughness was needed and film noir was a vehicle that displayed that on screen quality.

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In this classic romantic comedy, Jane Osgood (Doris Day), a single mum with two children, is in the live lobster business. But when her first big order for the Marshall Town Country Club turns up dead through no fault of her own, it kills her chances for a successful season.

Discovering budget cuts at the railroad are to blame, she turns to George Denham (Jack Lemmon), her longtime admirer and an attorney, to seek compensation from the railroad's tyrannical owner, Harry Foster Malone (Ernie Kovacs). Jane wins in her local courthouse, but Malone agrees to pay only for the lobsters, not damages. She refuses his offer on principle and the battle is on. The press has a field day with this modern-day David and Goliath story. And the whole country turns to Cape Anne, Maine, to watch as one woman stands up to "the meanest man in the world." It could happen to anyone but...

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The Man is Oldenshaw: an immodest, ex-Oxford type with a mind trained to devour information like a computer. He rose to prominence during the planning of D-Day. His partner is Defraits: Oldenshaw's red-brick equal.

Room 17 is the secret centre of operations for the Department of Special Research, a unit set up to study the criminal mind and handle cases that have baffled the police and security services. Answerable only to the Prime Minister, the men in Room 17 pull the strings that make the undercover world dance, without even leaving the confines of their Whitehall office. Starring Richard Vernon and Denholm Elliott as the celebrated super-sleuths, 'The Man in Room 17' featured clever plot twists, dry humour and innovative production.

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The Man is Oldenshaw: an immodest, ex-Oxford type with a mind trained to devour information like a computer. He rose to prominence during the planning of D-Day. His partner is Dimmock, a former student of the Ohio Institute of Criminology: Oldenshaw's red-brick equal.

Room 17 is the secret centre of operations for the Department of Special Research, a unit set up to study the criminal mind and handle cases that have baffled the police and security services. Answerable only to the Prime Minister, 'The Men in Room 17' pull the strings that make the undercover world dance, without even leaving the confines of their Whitehall office.

In one of the finest comedic performances of her career Marilyn plays a delicious, yet decidedly vision-impaired, young model, who, along with her two equally scheming friends, rents out a Manhattan penthouse in the hope of hooking a rich husband.

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Mr. Polly (Sir John Mills) is a sensitive soul. Sacked from his job for daydreaming he despairs of ever finding another when his father's death suddenly brings him a large inheritance, and with it he embarks on a cycling adventure.

Along his travels he meets and falls desperately in love with a young girl, but the relationship turns sour when her friends hear of it. Spumed, he hastily marries his cousin Miriam (Betty Ann Davies), and settles in a sleepy town where he opens a draper's shop. But his beliefs are eroded when, fifteen years on, bad debt and his floundering marriage bring him to a personal crossroads where he must make some major decisions.

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Bertrand (Rossano Brazzi), an accountant employed by a large London firm, is called to the office of the Managing Director, Dreuther (Robert Morley), to explain a mistake in the accounts.

Dreuther is highly impressed by the young accountant's skilful explanation of the error and, hearing that Bertrand is soon to marry his spirited young fiancée, tells him to spend the honeymoon not in Bournemouth, but Monte Carlo - at the company's expense! However, events in the fabulous Mediterranean paradise do not work out quite as Bertrand had envisaged...

A starstruck provincial waitress wins the local beauty contest to ride as Lady Godiva in the town pageant. She goes on to win first prize in the Fascination Soap Beauty Contest and immediately finds herself plunged into a strange new world of privilege, glamour...and not a little danger!

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Is the 1960's BBC drama series which portrayed the boardroom battles and frontline dangers of a fictional British oil company, Mogul Oil. The series, one of the BBC's most successful ever, ran for 7 years and attracted a huge audience worldwide.

These digitally remastered episodes, including the very first one transmitted, are those that survive from the pioneering first series.

Kelly's Eye
Company secrecy is compromised when news of a Mogul oil strike in the North Sea is leaked to the Press. Director of Operations Brian Stead (Geoffrey Keen) wants the culprit sacked and knows that only Head of the North Sea Operations Peter Thornton (Ray Barrett) is tough enough to investigate the breach among the hard men on the rig.
Young Turk
Robert Driscoll (Barry Foster) is a marketing man sent to take over negotiations for an important Middle East oil concession...after the local Mogul representative is killed in the desert.
Tosh and Nora
Tosh Brinkwater (John Tate) is a hard-living middle aged seaman. When he marries and becomes a father, he decides to change his ways and take a shore job. But when you re a cog in the Mogul machine, good intentions don t always pay off.
Out of Range
The desert is like the sea. It takes possession of a man s soul. For a young geologist (Terence Edmond) seeking to prove himself it is exciting. But like the sea, the desert is dangerous.
Stoneface
Driscoll is working under highly charged circumstances in northern Canada. When Mogul hires an Iroquois Indian for an important job, deep seated prejudices boil to the surface.

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After a successful day at the races, Major Arthur Hill (Basil Radford) and Harold Temple (Hugh Griffith) decide to raise a £300 syndicate to buy a certain racehorse. With excited help from their friends (Janette Scott, Jimmy Hanley, Rene Ray, Joyce Grenfell, A. E.

Matthews) they get the money, but things don't go so smoothly from here. First, they accidently buy the wrong horse which proves to have more of an affinity for jumping than racing. They then decide to train it themselves as a jumper under the new name "The Galloping Major". However, on the night before the Grand National, the horse mysteriously disappears...