elasticpiriformis's - Rented List

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What does it mean to film another person? How does it affect the person - and what does it do to the one who films? A boxing match in Brooklyn; life in post-war Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home: these scenes and others are woven into

Cameraperson, a tapestry of footage captured over the 25-year career of documentary cinematographer Kirsten Johnson. Through a series of episodic juxtapositions, Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality and crafted narrative. A work that combines documentary, autobiography, and ethical inquiry, Cameraperson is both a moving glimpse into one filmmaker's personal journey and a thoughtful examination of what it means to train a camera on the world.

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In Warsaw at the beginning of WWII, Maria Tura (Carole Lombard) and husband Joseph (Jack Benny) perform anti-Nazi plays with their theater troupe until they are forced to switch to Shakespeare's Hamlet. Lt.

Stanislav Sobinski (Robert Stack) falls for Maria and meets up with her during Joseph's famous "To Be or Not to Be" speech as Hamlet. When Stanislav is eventually dispatched for war, he implicates Maria with Professor Siletsky (Stanley Ridges), who has a secret plan to destroy the Warsaw resistance. The Polish theater troupe is then forced to use their theatrical skills to ensure their survival. Eventually, they turn to impersonating Nazi officers - and even Hitler himself - in order to outwit the enemy and keep the resistance safe from spies.

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A satirical, subversive, surreal and irreverent story of rebellion, Vera Chytilova's classic film is arguably the most adventurous and anarchic Czech movie of the 1960's.

Two young women, both named Marie (Ivana Karbanová / Jitka Cerhová), revolt against a degenerate and decayed society by attacking symbols of wealth and bourgeois culture in hilarious and mind-warpingly innovative ways. Defiant feminist statement? Nihilistic, avant-garde comedy? Refreshingly uncompromising, Daisies is a riotous, punk-rock poem of a film that remains a cinematic enigma and continues to provoke, stimulate and entertain audiences and influence filmmakers even today.

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When her husband Samuel (Samuel Theis) is mysteriously found dead in the snow below their secluded chalet, Sandra (Sandra Hüller) becomes the main suspect when the police begin to question whether he fell or was pushed.

The trial soon becomes not just an investigation, but a gripping psychological journey into the depths of Sandra and Samuel's complicated marriage. With conflicting evidence and inconsistent testimony, words are wielded like weapons and shocking truths come to light...

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The speakeasy era never roared louder than in this gangland chronicle that packs a wallop under action master Raoul Walsh's direction.

Against a backdrop of newsreel-like montages and narration, it follows the life of jobless war vetran Eddie Bartlett (James Cagney) who turns bootlegger, dealing in 'bottles instead of battles'. Battles await eddie within and without his growing empire. Outside are territorial feuds and gangland bloodlettings. Inside is the treachery of double-dealing associate (Humphrey Bogart). It would be 10 years before Cagney played another gangster (in White Heat), a time in which gangster movies themselves became rare. 'He used to be a big shot'. Panama Smith (Gladys Goerge) says at the finale, marking Bartlett's demise...and signalling the end of Hollywood's focus on the gangster era.

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Alienated war veteran Lucky Gagin (Robert Montgomery) gets off the bus in a town in rural New Mexico with one thing on his mind: revenge.

But when he takes on the crime boss (Fred Clark) who killed his friend, Gagin's luck runs out and he finds himself pursued by both an FBI agent (Art Smith) and a strange young girl (Wanda Hendrix), obsessed with a vision of Lucky's death.

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Experience the breathtaking global phenomenon that has captivated audiences around the world. Written for the screen and directed by Christopher Nolan, 'Oppenheimer' thrusts audiences into the mind of physicist J.

Robert Oppenheimer (Cillian Murphy), whose landmark work on the Manhattan Project created the first atomic bomb.

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Set in Midwestern America, 'The Magnificent Ambersons' tells the tale of Isabel Amberson Minafer (Dolores Costello) and her son George (Tim Holt), an upper middle class family experiencing social decline at the turn of the century.

With the industrial and technological age taking full force, the chances within the family are self destructing. After the death of her husband Wilbur (Don Dillaway), Isabel is romantically linked with Eugene Morgan (Joseph Cotten) whom she knew from years previous to her marriage. George, unhappy with this courtship, proceeds to do everything in his power to destroy their relationship despite falling for Eugene's daughter Lucy (Anne Baxter). Disaster strikes for the Amberson family and events do not turn out as George expected...

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Nora (Greta Lee) and Hae Sung (Teo Yoo), two deeply connected childhood friends, are wrest apart after Nora's family emigrates from South Korea.

Two decades later, they are reunited in New York for one fateful week as they confront notions of destiny, love, and the choices that make a life, in this heartrending modern romance.

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In a rural community of grinding economic and spiritual poverty, where poaching and delivering bootleg liquor supplement meagre incomes and love is absent, Mouchette is endlessly abused.

She cares selflessly and without thanks for her family as her mother slowly dies, whilst she is humiliated by a teacher for singing out of tune, is called a slut by a shopkeeper and even, as she is about to speak to a young man who smiled at her on the dodgems, is slapped by her harsh, judgemental father. Finally, having sought to help the epileptic poacher Arsene, she is raped by him. Even then, she later protects him. Mouchette may not understand all that she experiences but nor is she a helpless victim. She cares for her mother and especially for her infant sibling. Ostracised by her cruel classmates, she retaliates, throwing mud at them. She also avenges herself against the woman who speaks with pious reverence of the dead and who offers Mouchette a funeral shroud for her mother and a dress for herself.

Three British teenage girls go on a rites-of-passage holiday, drinking, clubbing and hooking up in what should be the best summer of their lives. As they dance their way across the sun-drenched streets of Malia, they find themselves navigating the complexities of sex, consent and self-discovery.

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Ethan Hunt (Tom Cruise) and his IMF team embark on their most dangerous mission yet: to track down a terrifying new weapon that threatens all of humanity before it falls into the wrong hands. With the fate of the world at stake, a deadly race around the globe begins.

Confronted by a mysterious, all-powerful enemy, Ethan is forced to consider that nothing can matter more than his mission - not even the lives of those he cares about most.

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'Gertrud' is the story of a woman's search for a romantic ideal of total and perfect love. A once famous singer now in her early forties, Gertrud makes the decision to leave her lawyer husband for her lover, a young composer.

Discovering the next day that her lover has betrayed her, and is unable to give her his total love, Gertrud rejects both husband and lover, choosing a life of solitude and study over the compromise of love that is merely half-measure.

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Among the most highly praised titles in all contemporary film, this singular masterpiece of Taiwanese cinema, directed by Edward Yang, was unavailable for years and much sought after. Set in the early 1960s, 'A Brighter Summer Day' is based on the true story of a crime that rocked Taiwan.

A film of both sprawling scope and tender intimacy, this novelistic, patiently observed epic centers on the gradual but inexorable fall of a young teenager (Chang Chen, in his first role) from innocence to delinquency, and is set against a simmering backdrop of restless youth, rock and roll, and political turmoil.

Their re-working of Chaucer's epic fourteenth century tale, largely set in wartime Kent, centres on American army sergeant John Smith, British soldier Dennis Price and landgirl Shiela Sim who, before making a modern-day pilgrimage to Canterbury, solve the bizarre mystery of a man who pours glue over the hair of village girls at night.