elasticpiriformis's - Rented List

Show moreShow less

When career thief Gaston Monescu (Herbert Marshall) meets glamorous pickpocket Lily (Miriam Hopkins), their love soon takes on a professional dimension as they initiate a plot to rob beautiful perfume magnate Mariette Colet (Kay Francis).

But as Gaston gets ever closer to his intended prey, his romantic confusion, as well as the threat that his past will catch up with him, throws their plan into jeopardy.

Show moreShow less

A courageous personal testimony about his experiences with AIDS, 'Blue' is Derek Jarman's most radical and daring film and was hailed as a masterpiece when it premiered at the Venice Biennale.

A blue screen provides the canvas for the visions of the audience, conjured up from the evocative words and music of the remarkably rich soundtrack by Simon Fisher-Turner.

Show moreShow less

Killer Of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.

This acclaimed tale of a disillusioned slaughterhouse worker-and the solace to be found in the simplest moments of life-is tender, witty, and affectionate. With lovely neorealist photography - capturing the long, hot days of 1970s Los Angeles - and a gorgeous blues soundtrack (Dinah Washington, Paul Robeson and Little Walter all feature) the film has a quiet emotional power.

Show moreShow less

CoIm Bairead's beautifully understated feature debut finds a young girl coming to terms with loss and the importance of family in rural Ireland. Cait (Catherine Clinch), a quiet, neglected young girl, is sent away from her dysfunctional family to live with relatives for the summer.

At first intimidated by her new environment, she quickly blossoms in the care of Eibhlin (Carrie Crowley) and her farmer husband, Sean (Andrew Bennett). As this new home becomes an idyll for her, Cait senses that something is plaguing her new foster parents - an unspoken pain that Eibhlin and Sean never discuss, which Cait's youthful curiosity begins to uncover.

Show moreShow less

Inspired by Steven Spielberg's own childhood, rediscover the magic of movies in 'The Fabelmans', a coming-of-age story about a young man uncovering a shattering family secret and the power of film and imagination to help us see the truth about ourselves and each other.

With a star-studded cast featuring Michelle Williams, Paul Daho, Seth Rogen, Gabriel LaBelle and Judd Hirsch, 'The Fabelmans' tells a timeless tale of heartbreak, healing, and hope for the dreamer inside all of us.

Show moreShow less

"Come and See" is one of the greatest war films ever made and one of the finest achievements of Soviet cinema.

A devastating account of the Nazi occupation of Belarussia during World War II, it tells the story of a young boy's abrupt loss of innocence when he joins the Soviet resistance and is thrust headlong into the brutal horrors of combat. Featuring terrifyingly authentic battle scenes and poetic, almost surreal imagery, director Elem Klimov has fashioned a vivid and unforgettably powerful portrait of the terrible atrocities committed by men in the name of war.

Show moreShow less

Delphine's travelling companion cancels two weeks before her holiday, so Delphine (Marie Rivière), a Parisian secretary, is at a loose end. She doesn't want to travel by herself, but has no means boyfriend and seems unable to meet new people.

A friend takes her to Cerbourg; after a few days there, the weepy and self pitying Delphine goes back to Paris. She tries the Alps, but returns the same day. Next, it's the beach; once there, she chats with an outgoing Swede, a party girl, and a friendship seems to bud; then suddenly, Delphine bolts, heading back to Paris. On her way, a young man catches her eye; perhaps a sunset and the sun's green ray await.

Show moreShow less

The first Iranian film to win the Palme d'Or, this austere, emotionally complex drama by the great Abbas Kiarostami follows the enigmatic Mr.

Badii (Homayoun Ershadi) as he drives around the hilly outskirts of Tehran looking for someone who will agree to bury him after he commits suicide, a taboo under Islam. Extended conversations with three passengers (a soldier, a seminarian, and a taxidermist) elicit different views on mortality and individual choice. Operating at once as a closely observed, realistic story and a fable populated by archetypal figures, Taste of Cherry challenges the viewer to consider what often goes unexamined in everyday life.

Show moreShow less

With her first and only feature film - a hard-luck drama she wrote, directed, and starred in - Barbara Loden turned in a groundbreaking work of American independent cinema, bringing to life a kind of character seldom seen on-screen.

Set amid a soot-choked Pennsylvania landscape, and shot in an intensely intimate verite style, the film takes up with distant and soft-spoken Wanda (Barbara Loden), who has left her husband, lost custody of her children, and now finds herself alone, drifting between dingy bars and motels, where she falls prey to a series of callous men - including a bank robber who ropes her into his next criminal scheme. An until now difficult-to-see masterpiece that has nonetheless exerted an outsize influence on generations of artists and filmmakers, Wanda is a compassionate and wrenching portrait of a woman stranded on society's margins.

Show moreShow less

The stunning debut from Scottish writer-director Charlotte Wells, 'Aftersun' juxtaposes a hopeful coming-of-age story with a poignant, intimate family portrait that leaves an indelible impression.

At a fading vacation resort in the late 1990's, 11-year-old Sophie (Frankie Corio) treasures rare time together with her loving and idealistic father, Calum (Paul Mescal). As a world of adolescence creeps into view, beyond her eye Calum struggles under the weight of life outside of fatherhood. Twenty years later, Sophie's tender recollections of their last holiday become a powerful and heartrending portrait of their relationship, as she tries to reconcile the father, she knew with the man she didn't, in Charlotte Wells' superb and searingly emotional debut film.

Show moreShow less

In a secluded valley in Iceland, brothers Gummi and Kiddi live side by side, tending to their prized ancestral sheep. But a long-term grudge means that they haven't spoken to each other for four decades, passing messages via the sheep dog.

When a lethal ovine disease suddenly appears in the valley, the authorities move in to cull all of the livestock. But Gummi and Kiddi don't give up easily and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle, and Gummi by using his wits. As the authorities close in the brothers will need to come together to save the sheep - and themselves - from extinction.

From director-writer-producer Todd Field comes Tar, starring Cate Blanchett as the iconic musician, Lydia Tar. The film examines the changing nature of power, its impact and durability in our modern world.

Show moreShow less

In one of Agnes Varda's more provocative films she presents us with the dilemma faced by husband and father Francois (Jean-Claude Crouot) who finds himself falling in love with an attractive postal worker.

What follows is a detailed study of adult fidelity and happiness, which will ultimately end with major repercussions for all parties involved.

Show moreShow less

After being released from prison, Berlin street musician Bruno Stroszek (Bruno S.) finds himself lost in a world where he simply doesn't belong.

So along with his prostitute girlfriend (Eva Mattes) and an eccentric neighbor (Clemens Scheitz), Stroszek moves to America, where he's told, everyone is rich. It doesn't take long, however, after moving into a mobile home and taking a job as a mechanic, for Stroszek to realize that the streets of Railroad Flats, Wisconsin aren't paved with gold.

Show moreShow less

Lana Turner is Lora, whose search for success as an actress causes her to neglect her daughter, Sandra Dee. Juanita Moore stars as Lora's black housekeeper whose daughter repudiates her mother by trying to pass for white.

As the years pass, each of the four women realises that she has been living out an emotionally fruitless existence.