This is the gritty, groundbreaking and truly legendary film that tells the story of Ivan Martin, an aspiring young singer-turned-outlaw, at war with Jamaica's music industry, police, and his rivals in the ganja trade. His dreams of stardom become reality as he rises to the top of the pop charts... and the most wanted list.
A harrowing drama set during the Salvadoran Civil War, 'Salvador' is one of director Oliver Stone's most underrated films, a thrilling and violent look at the chaos of war as seen through the lens of an amoral photojournalist. In 1980, young men, women and children are being brutally killed in a bloody civil war in El Salvador. A horrific setting, but a perfect one for Richard Boyle (James Woods), a sleazy journalist whose career needs a jumpstart. Armed with his camera, Boyle joins the front lines in an attempt to capture atrocious-but-valuable images of pain and horror. But with each picture he takes, he catches a tragic side of humanity that ignites his long-buried compassion. And he unexpectedly discovers something that will change him forever: his soul.
Trapped inside a fortified home owned by a mysterious couple (Everett McGill and Wendy Robie), an impoverished young boy is suddenly thrust into a nightmare. Quickly learning the true nature of the house's homicidal inhabitants, the boy battles against sadistic security devices, befriends an elusive and abused young girl, and finally learns the secret of the creatures deep within the house.
On a black and unholy Halloween night years ago, little Michael Myers (Will Sandin) brutally slaughtered his sister in cold blood. But for the last fifteen years, town residents have rested easy, knowing he was safely locked away in a mental hospital - until tonight. Tonight, Michael (Tony Moran) returns to the same quiet neighbourhood to relive his grisly murder again...and again...and again. For this is a night of evil. Tonight is Halloween!
Still traumatised by the loss of her husband, well-meaning social worker Ann Gentry (Anjanette Comer) throws herself into her latest assignment: the case of "Baby", a 21-year-old man with the mind of an infant who crawls, cries and has yet to make it out of nappies. But Baby's family the tyrannical Mama Wadsworth (Ruth Roman) and her two demented daughters aren't the only ones with a warped conception of familial relations, and the full horror only begins when Ann sets her sights on liberating the drooling man-child...and in so doing unleashes the wrath of the Wadsworth women.
Frankie (Gary Busey) and Patch (Robbie Robertson) have a system. Frankie wears clown makeup and sits in the dunk-tank cage, howling insults at midway passersby. Patch is out front collecting dollars from marks eager to make Frankie and his big mouth take a dive. It's a good town-to-town living for the two pals. Then Donna (Jodie Foster) came along. A charismatic star trio energizes this grit-and-glitter slice of carnival life that's as atmospheric as a stroll down midway USA. Indeed, music man Robertson, who co-produced and penned the story on which the screenplay was based, once worked as a carny. He and his collaborators ensure that time spent with the impressive sights and unique personalities of this traveling show will be downright unforgettable.
Marianne Faithfull stars as a bored, small-town newlywed who decides to leave her husband for her ex-lover (Alain Delon). Clad only in her fur-lined leather jumpsuit, she takes off on her Harley for a long ride through the most beautiful countryside and cities of Europe. While riding, she experiences explicitly erotic fantasies about Delon and their torrid affair.
Upon discovering a dark family secret Tom Latam (Nick Henson), the leader of hell-raising teen motorcycle gang The Living Dead, decides to take drastic measures to ensure his gang's superiority. Through his devil-worshipping mother (Beryl Reid), Tom makes a pact with Satan to ascertain the secret of immortality. Using this information he encourages his fellow riders to end their lives, safe in the knowledge that they'll soon return from the dead to invulnerably terrorise the locals.
Frank, Roger and their wives take off for Colorado in a recreational vehicle, looking forward to some skiing and dirt biking. While camping en route, they witness a satanic ritual human sacrifice, but local sheriff finds no evidence to support their claims and urges them to continue on their vacation. On the way, however, they find themselves repeatedly attacked by cult members, and they take measures to defend themselves.
Al Roberts (Tom Neal) decides to hitchhike to California to follow his girlfriend Sue (Claudia Drake). After discovering one of the drivers who has given him a lift dead, Al assumes his identity for fear of being charged with his murder. This leads him into trouble and blackmail along the way.
James Stewart stars with Farley Granger and John Dall in a highly-charged thriller inspired by the real-life Leopold-Loeb murder case. Granger and Dall give riveting performances as two friends who strangle a classmate for intellectual thrills, then proceed to throw a party for the victim's family and friends - with the body stuffed inside the trunk they use for a buffet table. As the killers turn the conversation to committing the "perfect murder", their former teacher (Stewart) becomes increasingly suspicious. Before the night is over, the professor will discover how brutally his students have turned his academic theories into chilling reality in Hitchcock's spellbinding excursion into the macabre.
A patrol gets lost in the central highlands of Vietnam and finds itself in deep trouble. This is seen through the eyes of "MoPic" (Byron Thames), the patrol's cameraman. But the cameraman is not simply recording the action, but trying to make a documentary that can be used as a training film. The six members of the reconnaissance unit share their diverse experiences, both individually and collectively with bullets shooting around them while MoPic shoots the film. The crew battles for their lives, hoping to return with the film to be able to tell the world of the horrors of war. What could go wrong?...everything.
Charles Burnett, one of America's most highly regarded independent filmmakers, wrote and directed this domestic drama about a black middle-class family living in South Central Los Angeles. However, there are no gangs, no guns, no drugs but instead a lyrical story that draws on folklore and the supernatural. Family tensions are already simmering when Harry (Danny Glover) arrives to visit his old friends. He exudes an easy charm, knows secrets past and present and is soon installed in the heart of the family. However, as his stay lengthens, so does he begin to cast an ever more malevolent spell, provoking turmoil, setting son against son, reviving past hatreds, and inflicting a mysterious illness. Glover delivers a career-topping performance as the garrulous family fiend, full of hidden menace, effortlessly evoking nostalgia and horror in the same breath. As ever, Burnett provides a wonderful music track featuring gospel, blues and jazz and a cameo from the legendary Jimmy Weatherspoon.
Camille falls out of love with her husband Paul while he is rewriting the screenplay Odyssey by American producer Jeremiah Prokosch. Just as the director of Prokosch's film, Fritz Lang, says that The Odyssey is the story of individuals confronting their situations in a real world, Le Mepris itself is an examination of the position of the filmmaker in the commercial cinema industry.
The legend of King Arthur and the Knights of the Round Table receives its most impressive screen treatment in Excalibur, from visionary movie maker John Boorman. All the elements of Sir Thomas Malory's classic 'Le Morte D'Arthur' are here: Arthur (Nigel Terry) removing the sword Excalibur from the stone; the Round Table's noble birth and tragic decline; the heroic attempts to recover the Holy Grail; and the shifting balance of power between wily wizard Merlin (Nicol Williamson) and evil sorceress Morgana (Helen Mirren).
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