Bored by the daily tedium of her office job, Kate (Ruth Wilson) is sleepwalking through life when a chance sexual encounter with a charismatic stranger (Tom Burke) awakens her. High on infatuation and the exhilaration of this new relationship, she finds herself inexplicably drawn to this mysterious new man. Hoping he will provide the escape she so desperately desires, she embarks on an emotionally dangerous journey that slowly begins to consume her. With a cast that also includes Hayley Squires, 'True Things' is the unmissable new film from acclaimed director Harry Wootliff.
Multi-award-winning and hailed as one of the finest films of recent years, Pedro Costa's exquisite 'Vitalina Varela' follows the titular Vitalina, a woman left behind in Cape Verde when her husband leaves to find work in Portugal. Years later, she finally makes the journey to Lisbon herself but arrives three days after his funeral. Alone and isolated in her late husband's home, Vitalina is determined to persevere and confront the ghosts of the past. Haunting, strikingly visualised and marked by a towering central performance, 'Vitalina Varela' is an unforgettable modern masterwork.
Seventeen-year-old Ola (Zofia Stafiej) travels to Ireland to bring her father's body back to Poland after he died working on a construction site. But never mind her dad, Ola wants to know if he saved money for the car he had promised. In a foreign country all by herself, Ola will have the trip of her lifetime, a journey into the unknown, on which she will try to reconnect with her estranged father. In Ireland, she will come to know a different world and meet people who will change her approach to life.
Eve (Gabriela Cartol) is a conscientious hotel chambermaid. Punctual and enterprising, paying close attention to the details, she hopes her impeccable professionalism will bring her promotion to the Hotel Presidente's exclusive penthouse floor. Long, laborious shifts prevent Eve from caring for her child while she helps guests with their own children. Aviles records her day-to-day activities, from the detail of ensuring rooms are immaculately presented each morning to enrolling in the hotel's adult education programme, which will help her chances of promotion. When things don't result as planned, Eve transforms her lonely explorations and newfound courage into the necessary strength to face a life outside the glimmering tower.
After a bitter divorce, Miriam (Léa Drucker) and Antoine (Denis Ménochet) battle for sole custody of their son, Julien (Thomas Gioria). Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something with the truth buried in a web of deceit and jealousy. When the judge awards joint custody, an already tense situation soon brings the family's fraught past to light. And as the truth slowly begins to emerge, a chain of events is set in motion with Julien an innocent bystander in an increasingly dangerous situation.
Rio de Janeiro, 1950. Eurídice (Carol Duarte), 18, and Guida (Julia Stockler), 20, are two inseparable sisters. Although immersed in a traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. But they are separated by their father and forced to live apart. They take control of their separate destinies, while never giving up hope of finding each other.
An audacious, genre-defying mix of horror and folklore, 'Lamb' is the debut feature from Icelandic writer-director Valdimar Johannsson. A couple on a remote sheep farm find a mysterious newborn and decide to raise it as their own, but soon face the consequences of defying the will of nature.
In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean-Pierre Melville, 'Le Samourai' is a razor-sharp cocktail of 1940's American gangster cinema and 1960's French pop culture - with a liberal dose of Japanese lone-warrior mythology.
Life has turned upside-down for brooding Bulcsu (Sandor Csanyi), a ticket inspector who patrols the platforms and trains of the city's underground network with a motley crew of colleagues. Bulcsu has forged a series of 'relationships' with other long-term denizens of this neon-lit world - the serial fare-dodger, the shadowy serial-killer, the veteran whose seen it all before, and the mysterious, beautiful woman who rides the rails in a bear suit.
Christine 'Lady Bird' McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mum (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird's father (Tracy Letts) loses his job. 'Lady Bird' is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home.
Working on the fringes of the murky underworld and constantly pumped on steroids and hormones, the domineering Jacky (Matthias Schoenaerts) initiates a shady deal with a notorious mafioso meat trader. But when an investigating federal agent is assassinated and a woman from his traumatic past resurfaces, Jacky is forced to confront his demons and face the far-reaching consequences of his decisions.
Live-in nurse Maud (Morfydd Clark) arrives to help Amanda (Jennifer Ehle), a famous dancer now frail from illness in her grand, isolated house. Amanda is intrigued by the religious young woman, distracting her from her failing health, and Maud is bewitched by her patient, but she is not what she seems...Tormented by a violent secret from her past and ecstatic messages she believes are from God, Maud becomes convinced she was sent to Amanda not as a nurse, but as a divine saviour. As her grip on reality weakens, Maud is determined to save Amanda's soul, by any means necessary.
Haunted by her long suppressed past and pressured by family to seek treatment from mystical healers for her infertility, a Kosovar woman Lume (Adriana Matoshi) struggles to reconcile the expectations of motherhood with a legacy of wartime brutality.
Dr. Steven Murphy (Colin Farrell) is a renowned cardiovascular surgeon presiding over a spotless household with his ophthalmologist wife Anna (Nicole Kiclman) and their two exemplary children. Lurking at the margins of his idyllic suburban existence is Martin (Barry Keoghan), a fatherless teen who Steven has covertly taken under his wing. As Martin begins insinuating himself into the family's life in ever-more unsettling displays, the full scope of his intent becomes menacingly clear when he confronts Steven with a long forgotten transgression that will shatter the Murphy family's domestic bliss.
The film is a touching and tender insight into the life of Lilya (Oksana Akinshin) who lives in a poor suburb somewhere in the former Soviet Union. Lilya's mother has emigrated to the States and she is waiting to be sent for. After a while it becomes clear that she has been abandoned. Left alone and broke Lilya strikes up a friendship with local 11 year old boy, Colodya (Artion Bogucharskij), himself an outcast. Through their similar circumstances they fantasise of a life elsewhere. Moodysson's award winning script is observant of the hopes and dreams of Lilya and Volodya but is realistic about the world they live in. It is this realist approach that has drawn comparisons between Moodysson and some of the classic realist directors including Truffaut, Bresson and Ken Loach.
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