Katja's (Diane Kruger), life is torn apart when her husband and young son are suddenly killed in a bomb attack. A police investigation point to a pair of young neo-Nazis as the key suspects, but a lack of evidence fails to fully incriminate them, Katja is forced to take matters into her own hands and her hunt for justice begins to take increasingly dangerous and unexpected turns.
Ayse, a 19-year-old girl from the Turkish countryside, is chosen to be married to the handsome Hasan, son of formidable and house proud mother Fatma, who resides in Vienna with her husband and children.
However, what soon becomes apparent is that Ayse is to be second wife to Fatma's husband. This tight-knit family go to great lengths to preserve traditional values, and although polygamy is illegal in Austria, Ayse is welcomed. Yet, her presence in a country whose language and culture is entirely foreign to her immediately marks her as an outsider.
As Western societal norms and Muslim religious beliefs draw closer together in an ever diversifying family unit, tensions arise, resulting in an explosive stroke of fate.
Two introverted people, both workers in a meat-processing plant - one a world-weary financial director, the other a strict quality controller - find out by chance that they share the same dream every night. They are puzzled, incredulous and frightened. As they begin to accept this strange coincidence, they try to recreate in broad daylight what happens in their shared subconscious.
"My Rembrandt" is set in the world of the Old Masters and offers a mosaic of gripping stories in which unrestrained passion for Rembrandt's paintings leads to dramatic developments and unexpected plot turns. While art collectors such as Eijk and Rose-Marie de Mol van Otterloo, the American Thomas Kaplan and the Scottish Duke of Buccleuch show us their special connection with 'their' Rembrandt, French baron Eric de Rothschild puts two Rembrandts up for sale, triggering a hard political battle between the Rijksmuseum and the Louvre. The film also follows aristocratic Dutch art dealer Jan Six as he seems to be on the trail of not just one but two 'new' Rembrandt paintings. This nerve-wracking journey of discovery seems to be the realisation of his biggest boyhood dream.
1945, Leningrad. World War II has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Although the siege - one of the worst in history - is finally over, life and death continue their battle in the wreckage that remains. Two young women, lya (Viktoria Miroshnichenko) and Masha (Vasilisa Perelygina), search for meaning and hope in the struggle to rebuild their lives amongst the ruins.
Music is Mathieu's (Jules Benchetrit) secret. It's something he doesn't dare discuss with the gang he hangs out with in the projects, where he's from. But when one of their petty burglaries almost lands him behind bars, the National Music Conservatory's director, Pierre Geithner (Lambert Wilson), gets him out in exchange for community service. But Pierre has something else in mind...Having detected in Mathieu the potential to become a great pianist, he signs him up to the national piano competition. As Mathieu enters a new world, whose codes and etiquette he doesn't know, he is taught by the uncompromising "Countess" (Kristin Scott Thomas) and meets Anna (Karidja Touré), with whom he falls in love. To succeed at this competition, which will determine all their destinies, Mathieu, Pierre and the Countess will have to learn how to transcend their prejudices...
Mousse (Isabelle Carre) and Louis (Melvil Poupaud) are young, beautiful and in love, but when drugs invade their lives tragedy rips them apart. When Mousse then learns that she is pregnant, she attempts to put her life back on track and flees to a house far from Paris where, several months later, she is joined by Louis' brother Paul (Louis-Ronan Choisy). United in their grief, Mousse and Paul begin to develop an unusual and deeply moving bond, in Frangois Ozon's tender and moving exploration Of the nature of family and blood ties.
In Taipei City, a cavernous old picture palace is about to close its doors forever. A meagre audience, the remaining few staff, and perhaps even a ghost or two, watch King Hu's wuxia classic Dragon Inn - each haunted by memories and desires evoked by cinema itself. An exquisite, wryly funny and tender tribute to the experience of movie-going, Tsai Ming-Liang's poignant love letter to cinema is one of the most beguiling and beloved dramas of modern times and is now widely regarded as a classic.
Inga (Arndís Hrönn Egilsdóttir) runs a dairy farm with her husband in a remote valley of Iceland where they work long hours for a tight income due to their buyers, a money-grubbing monopoly known as the co-op. However, when Inga's husband tragically dies she learns her debts are even greater than she thought and takes it upon herself not to repay them but to expose the co-op's greed and corruption by any means necessary.
Inspired by real events and from the director of 'The Full Monty' (Peter Cattaneo), 'Military Wives' is the heartfelt story of friendship, love, and support on the home front. When Kate (Kristin Scott Thomas) persuades a disparate group of women on the base to form the Military Wives Choir, Lisa (Sharon Horgan) is initially sceptical and embarrassed by such an amateur bunch. However, she is quickly transformed by the choir's friendship, humour and courage. Finding their voice together, Kate, Lisa and the choir put aside their own personal differences and, by singing their hearts out, bring joy, hope and strength to the world.
Kim Ki Taek's (Song Kang Ho) family are all unemployed and living in a squalid basement. When his son, Ki Woo, gets a tutoring job at the lavish home of the Park family, the Kim family's luck changes. One by one they gradually infiltrate the wealthy Park's home, attempting to take over their affluent lifestyle, but as their deception unravels events begin to get increasingly out of hand in ways you simply cannot imagine.
In a deserted Macedonian village, Hatidze, a 50-something woman, trudges up a hillside to check her bee colonies nestled in the rocks. Serenading them with a secret chant, she gently manoeuvres the honeycomb without netting or gloves. Back at her homestead, Hatidze tends to her handmade hives and her bedridden mother, occasionally heading to the capital to market her wares. One day, an itinerant family installs itself next door, and Hatidze's peaceful kingdom gives way to roaring engines, seven shrieking children, and 150 cows. Yet Hatidze welcomes the camaraderie, and she holds nothing back - not her tried-and-true beekeeping advice, not her affection, not her special brandy. But soon Hussein, the itinerant family's patriarch, makes a series of decisions that could destroy Hatidze's way of life forever.
Francois Ozon's highly acclaimed latest film focuses on the five key moments in the life of a modern couple. 5x2 examines Gilles (Stephane Freiss) and Marion's (Valeria Bruni-Tedeschi) turbulent marriage, but the story is told in reverse order beginning with the divorce and ending with their very first meeting.
With his eighth and most personal film, Alfonso Cuaron recreated the early-1970's Mexico City of his childhood, narrating a tumultuous period in the life of a middle-class family through the experiences of Cleo (Yalitza Aparicio, in a revelatory screen debut), the indigenous domestic worker who keeps the household running. Charged with the care of four small children abandoned by their father, Cleo tends to the family even as her own life is shaken by personal and political upheavals. Written, directed, shot, and coedited by Cuaron, 'Roma' is a labor of love with few parallels in the history of cinema, deploying monumental black-and-white cinematography, an immersive soundtrack, and a mixture of professional and nonprofessional performances to shape its author's memories into a world of enveloping texture, and to pay tribute to the woman who nurtured him.
In Francois Ozon's absorbing and affecting drama, Charlotte Rampling gives one of the best performances of her career as Marie, a college lecturer who has been happily married to Jean for over 25 years. Whilst on holiday, they visit a deserted beach where Marie lazes in the sun while Jean sets out for a swim - from which he never returns. Some time later in Paris, Marie has resumed her life but refuses to accept that Jean has drowned, continuing to think of him in the present tense and resisting her friends' well-meaning attempts to interest her in other men. Ozon's most mature film to date, 'Under the Sand' is dominated by Rampling's astonishing and moving portrayal.
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