Film Reviews by griggs

If you’ve ever wondered what it’s like to spend two and a half hours watching paint dry in a desert, Dune Part 2 is the film for you. This cinematic nap fest is a dazzling display of orange hues and sand with a plot that trudges along like a weary traveller lost in the dunes. Fans of epic sci-fi prepare to be underwhelmed. For everyone else, make sure you have a pillow to hand.

John Krasinski's IF has a certain charm, but it just doesn't quite hit the mark. In the cinema where I watched it, the kids were running around whilst adults tried to sleep to pass the time, neither engaged nor entertained. The film can't seem to find its groove, and even though there are a few sweet moments, it ends up being a letdown, and I can’t remember a single laugh. All in all, it's a bit of a disappointment and doesn't live up to what it could have been: a kind, engaging family comedy.

Long heralded as a classic, upon closer viewing, All About Eve reveals significant shortcomings that make it a challenging watch for modern audiences. Clocking in at over two hours, the film feels overlong and struggles to maintain a gripping pace. The plot twists, which might have been more surprising at its release, are now glaringly predictable, stripping the story of much-needed suspense and intrigue.

A critical flaw in “All About Eve” is the lack of genuine jeopardy or consequence for its characters. This absence creates a dull atmosphere where the stakes never feel exceptionally high, diminishing the impact of what should be dramatic moments. The characters, from Margo Channing to Eve Harrington, are difficult to sympathise with. Their motivations and actions often come across as self-serving or manipulative, making it hard for viewers to connect with them on any meaningful level.

All About Eve may have historical significance, taking a spot on the AFI 100 list, its drawn-out narrative, predictable plot twists, and unrelatable characters make it a rather tedious experience.

The Silent Partner is a must-watch for fans of Christmas heist thrillers if such a genre exists. It offers a refreshing take on the genre, with intelligent plotting and memorable performances.

One of the standout aspects of the film is its intricate plot and the psychological duel between Elliot Gould and Christopher Plummer. The script is tightly woven, ensuring every twist feels surprising, balanced, and inevitable. Plummer’s performance as the menacing thief is chillingly effective, providing a formidable adversary that keeps viewers on the edge of their seats.

The film’s setting during Christmas adds an ironic contrast to the unfolding criminal activities, similar to Die Hard. However, The Silent Partner uses this festive backdrop to enhance the film’s eerie atmosphere, whereas Die Hard uses it to amplify chaos and humour.

Though it may not have the same cultural impact as Die Hard, it remains a hidden gem that deserves more recognition. The Silent Partner delivers a rewarding watch for those who appreciate an intelligent, suspenseful narrative.