Classic film fans know Rondo Hatton as The Creeper in the 1944 Sherlock Holmes programmer, The Pearl of Death. Universal planned to use him in the same role for his own series of horror releases. Of course, it was his acromegaly that deformed him into the 'monster without makeup'. So there is some squeamishness in watching his misfortune made into a franchise.
Anyway, he died after his next Creeper film and he is mostly remembered now for that Sherlock Holmes performance. But this oddball B horror is well worth a look. It's part of an attempt to bring Universal horror out of the gothic and into the contemporary. Martin Kosleck co-stars as a psychopathic modern artist who compels the brute to kill his critics.
The sculptor pulls the Creeper out of the bay as he is about to throw himself in, so there is an impression that the colossus represents his own grotesque, suppressed psyche. The other male leads are colourless, but Virginia Grey is lively as a girl reporter, and she gets some fabulous wisecracks. Actually, the pulpy dialogue is a standout.
And Joan Shawlee brings some jaw-dropping glamour as a sassy model. This is just a 65 minute, low budget shocker. But it is offbeat, and twisted. And a change of direction for the studio, squeezed into the void between Universal gothic and '50s science fiction. With the kind of shadowy pessimism we also get from '40's film noir.