bm-1's - Rented List

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"3-Iron" is an enchanting and ghostly love story set in modern day Korea. Tae-suk (Hee Jae) is a young drifter who enters strangers' houses - and lives - whilst their owners are away.

He spends a night or a day in each house, repaying the owner's unwitting hospitality by doing their laundry or small repairs. His life changes when he enters the mansion of a wealthy businessman. Inside, he discovers that he's not alone - Sun-hwa (Seung-yeon Lee), a former model, is quietly crouching inside her bedroom, her face badly bruised. When Sun-hwa's abusive husband (Hyuk-ho Kwon) returns, Tae-suk takes her away and the two begin living a ghostly existence in strangers' empty homes.

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Whilst on holiday, young timid ladies companion (Joan Fontaine) meets handsome and wealthy widower Maxim de Winter (Laurence Olivier) whose wife Rebecca has recently died in a boating accident. The two fall in love and marry.

However, her joy is short lived when she returns to the de Winter estate and soon discovers that Rebecca still has a strange, unearthly hold over everyone there.

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An ex-con, a corrupt cop, a reformed alcoholic, a wrestler, a sharpshooter and a pair of inside men: these seven men intent on executing the perfect robbery and taking a racetrack for two million dollars. But this is the world of film noir, a tough, sour place where nothing quite goes as planned...

For his third feature Stanley Kubrick adapted Lionel White's 'Clean Break' with a little help from hard-boiled specialist Jim Thompson (The Killer Inside Me), and in doing so created a heist movie classic, one to rank alongside John Huston's 'The Asphalt Jungle' and Quentin Tarantino's 'Reservoir Dogs'. The robbery itself is one of cinema's great set-pieces, as taut a piece of filmmaking as you'll ever find, expertly controlled by Kubrick, who called 'The Killing' his first mature work . Starring Sterling Hayden, perennial fall guy Elisha Cook Jr. and Marie Windsor as his duplicitous wife, 'The Killing' is quintessential film noir, still as brutal, thrilling and audacious as it was almost six decades ago.

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Inspired by an infamous true story that made headlines in Japan in 1988, this tough yet tender film from writer-director, Hirokazu Koreeda, follows the lives of four children left to fend for themselves by their wayward mother.

Having smuggled her family into a new apartment under the landlord's nose, Keiko (You) puts her 12 year old son Akira (Yûya Yagira) in charge of the youngsters and after a brief period of relative family harmony, disappears. Akira manages as best he can, but limited means and the cramped confines of the apartment force this unorthodox family unit to re-shape their narrow existence to suit their physical and emotional needs.

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Enigmatic computer hacker Lisbeth Salander and disgraced journalist Mikael Blomkvist unite to solve the case of a missing girl. The unlikely due form a fragile alliance as they dig into the past of a secretive and dysfunctional family.

As they unravel a dark and appalling family history, Blomkvist and Salander are about to discover how close they can get to the truth before they too become a target.

Curiosity develops into voyeuristic fixation as a young writer Bill (Jeremy Theobald) follows strangers around London to research a novel. After following Cobb (Alex Haw), a well-heeled stranger who is actually a thief, Bill's obsession takes a sinister turn as he is led into a dark underworld.

In 19th century Canton, Wong Fei-hung (Jet Li) battles ruthless imperialist forces determined to subjugate his country and enslave his people, leading to a climactic fight sequence still regarded as one of the best ever filmed.

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Akira Kurosawa's acclaimed study of power, revenge and retribution is set against the magnificent backdrop of feudal warfare in sixteenth century Japan.

Transposing the events of Shakespeare's King Lear to the blood-thirsty 'Period of Warring States', 'Ran' tells the story of a bitter power struggle within the family of Warlord Hidetora Ichimonji (Tatsuya Nakadai). After fifty years of ruthless slaughter Hidetora divides his kingdom among his sons, seeking peaceful retirement. However, as his life descends into chaos, he is unable to escape the corruption within his family and the torment within his soul.

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Gandhi was not a ruler of nations, nor did he have scientific gifts. Yet this small, modest man did what others before him could not. He led an entire country to freedom - he gave his people hope. Gandhi, the man of the century is explored in this breathtaking, unforgettable motion picture.

After 20 years in the making, this masterful epic garnered nine 1982 Academy Awards, including Best Picture, Best Director, Best Actor and Best Original Screenplay. In stirring detail, Gandhi's life, principles and power explode on the screen with vivid scenes such as the horrific massacre at Amritsar, where the British opened fire on 15,000 unarmed men, women and children, and the dramatic march to the sea where Gandhi led thousands of his fellow Indians to prove that sea salt belonged to all and was not just a British commodity.

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On a lake set in a valley in the depths of the mountains sits an isolated dwelling. Here, a Buddhist monk and his young apprentice live in harmony with nature. As the seasons change and the years pass, the carefree child apprentice becomes a young man filled with desire.

Despite the continuing wisdom that his master imparts, the young man finds he is emotionally unprepared for the arrival of a young woman. Dealing with feelings of guilt and jealousy, he is forced to confront a darker side of his nature and, resolving to cleanse himself, he serves a penance in the form of a religious mantra. Later, as winter comes and death makes way for new life, the man prepares to take on the role of teacher...

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A woodcutter experiences a horrific series of events - an ambush, rape and murder.

In the telling of the tale however, each of the four participants give different views of what actually happened - is any of them telling the truth? Kurosawa's masterful film plays on the subjective nature of truth while unfurling a riveting tale of violence and greed.

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A cryptic message from the past sends James Bond (Daniel Craig) on a rogue mission to Mexico City and eventually Rome, where he meets Lucia Sciarra (Monica Bellucci), the beautiful and forbidden widow of an infamous criminal.

Bond infiltrates a secret meeting and uncovers the existence of the sinister organisation known as Spectre. Meanwhile back in London, Max Denbigh (Andrew Scott), the new head of the Centre for National Security, questions Bond's actions and challenges the relevance of MI6, led by M (Ralph Fiennes). Bond covertly enlists Moneypenny (Naomie Harris) and Q (Ben Whishaw) to help him seek out Madeleine Swann (Lea Seydoux), the daughter of his old nemesis Mr. White (Jesper Christensen), who may hold the clue to untangling the web of Spectre. As the daughter of an assassin, she understands Bond in a way most others cannot. As Bond ventures towards the heart of Spectre, he learns of a chilling connection between himself and the enemy he seeks, played by Christoph Waltz.

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The greatest lessons are learnt when life enters the classroom. The tense environment of a tough inner-city school where cultures and attitudes often clash is revealed in this award-winning drama based on François Bégaudeau's best-selling novel 'Between the Walls'.

Bégaudeau himself stars as an idealistic teacher of a class of unruly 15 year-olds, whose spiky independence present a constant challenge to his sometimes unconventional teaching methods. Featuring an outstanding non-professional cast of real teachers and students, Laurent Cantet's gripping and sharply observed film offers a microcosm of contemporary society and explores the issues and challenges of education today.

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Director Ang Lee's follow-up to his surprise box-office hit 'The Wedding Banquet', and nominated for 11 Academy Awards including Best Foreign Film, "Eat Drink Man Woman" is an unrivalled bitter sweet comedy about food, the senses and gender politics in modern China.

Senior Master Chef Chu lives in a large house in Taipei with his three unmarried daughters; Jia-Jen, an unmarried chemistry teacher cynical about men; Jia-Chien, who has ambitions to become a great chef in a male dominated world and Jia-Ning, a sexually expressive college student who falls pregnant. Life in the house revolves around the ritual of an elaborate dinner each Sunday, lovingly cooked by Chef Chu but may be all too traditional for the next generation of the family. As each meal passes the relationships between the daughters and the family as a whole evolve and change in many unexpected ways.