films's - Rented List

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Johnny Aysgarth (Cary Grant) is a handsome gambler who seems to live by borrowing money from his friends. Whilst travelling on a train in a first class carriage with only a third class ticket, he meets shy Lina McLaidlaw (Joan Fontaine) whom he soon starts to date and before long they marry.

Only after their honeymoon does she discover his true character in this film-noir thriller.

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The great Sam Wood (Pride of the Yankees) directs this socially conscientious classic comedy. John P. Merrick (Charles Coburn), the world's richest man, gets word that someone is trying to unionize a department store he owns.

To thwart this blatant act of democracy, Merrick changes his name and takes a menial job at the store to catch the union activists without detection. Once he himself is subjected to the humiliating treatment by the department supervisor, Hooper (Edmund Gwenn). Merrick starts to wise up - and soften up. Jean Arthur (The More the Merrier) plays Mary Jones, a shoe saleswoman who becomes Coburn's coworker and liaison to the world of the common man. Miss Jones is in love with the head of the union activists played by Robert Cummings (Saboteur) and Merrick himself falls in love with co-worker, Elizabeth Ellis (Spring Byington). The double-date sequence at Coney Island immortalizes the infamous beach in its masses of flesh and general bedlam, the great William Cameron Menzies (Gone with the Wind) created the extravagant detail-rich sets, which are the perfect complements to the witty script by Norman Krasna (White Christmas).

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The March sisters Meg (Janet Leigh), Jo (June Allyson), Beth (Margaret O'Brien) and Amy (Elizabeth Taylor) struggle to make ends meet in their New England household while their father is away fighting in the Civil War.

Despite harsh times, they cling to optimism, often with neighbor Laurie (Peter Lawford) as a companion. As they mature, they face burgeoning ambitions and relationships, as well as tragedy, all the while maintaining their unbreakable bond.

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In a depression-ravaged northern English mining town, a group of miners refuse to work a dangerous seam. The ensuing struggle sees two friends escape their underground destiny; Davey Fenwick wins a university education, while Joe Gowlan leaves for a life of commerce.

As they grow up - one idealistic and determined, the other cunning and opportunistic -their paths and love lives clash and cross, before meeting in a thrilling climax back in their home town. This was the film that established the credentials of Carol Reed, arguably Britain's greatest ever director. Although he had already made several well-received films, here he had the budget, the stars and the source material (A.J. Cronin's impressive 1935 novel) to deliver the visual sense, character treatment and political sensitivity that would famously feature in his later films like The Third Man, Trapeze (1956), Our Man in Havana (1960), The Running Man (1963) and Oliver! (1968).

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The magical retelling of the Orpheus myth turns the lyre-playing singer of Greek legend into a famous left bank poet in post-war Paris.

Fallen our of favour and lost for poetic inspiration, Orphee (Jean Marais) becomes obsessed with a mysterious black-clad princess who first claims the life of a rival poet, and then Eurydice (Marie Déa), his wife. With its unforgettable imagery-the dissolving mirror throughout which characters pass into the next world, the leather-clad, death-dealing motorcyclists, and Cocteau's magical special effects, 'Orphee' is a work of haunting beauty that follows the poetic logic of a dream.

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Country squire, Henry Maurier (Charles Boyer), is regarded as a saint for putting up with his neurotic, invalid wife Emily (Rachel Kempson). But when Emily's brother visits them with his voluptuous mistress, Doris (Ann Blyth), the ageing squire falls instantly in love with the young temptress.

That very night Emily dies suddenly of chronic heart disease, and Henry is left free to seduce and later marry Doris - much to the annoyance of their neighbour, Janet (Jessica Tandy) who has secretly loved Henry for many years. When a post-mortem shows that Emily's death was precipitated by arsenic, Henry is arrested for murder and placed on trial for his life. But is he guilty?

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James Stewart stars as the good-natured Elwood P. Dowd, whose constant companion is Harvey, a six-foot tall rabbit that only he can see. To his sister, Veta Louise (Josephine Hull), Elwood's obsession with Harvey has been a thorn in the side of her plans to marry off her daughter.

But when Veta Louise decides to put Elwood in a mental hospital, a hilarious mix-up occurs and she finds herself committed instead. It's up to Elwood to straighten out the mess with his kindly philosophy, and his "imaginary" friend.

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Adele (Isabelle Adjani), daughter of French author and patriot Victor Hugo, is beautiful, composed and filled with the same brilliant writing talent as her famous father. However, Adele is driven not by literary aspirations but by love.

Impelled by a need that will not be denied, she has run away from home to follow her handsome, womanizing lover (Bruce Robinson) across an ocean to wintry Halifax, Nova Scotia. Wild with desire, she'll risk everything to renew their brief affair. And if she can't win him back, there'll be a terrible price to pay.

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This Powell and Pressburger classic is widely considered to be one of the greatest films ever made.

Vicky Page (Moira Shearer), a young ballerina, becomes torn between her love for composer Julian Craster (Marius Goring) and artistic devotion to her profession, which is dominated by impresario Lermontov.

Jennifer Jones plays Hazel Woods, a beautiful young English Gypsy girl who loves animals and in particular her pet fox. She is hotly desired by Jack Reddin (David Farrar) a fox-hunting squire who vies for her affection and pursues her even after her marriage to the local pastor.

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In this landmark film, passion and tragedy collide on a military base as a fateful day in December 1941 draws near. Private Prewitt (Montgomery Clift) is a soldier and former boxer being manipulated by his superior and peers.

His friend Maggio (Frank Sinatra) tries to help him but has his own troubles. Sergeant Warden (Burt Lancaster) and Karen Holmes (Deborah Kerr) tread on dangerous ground as lovers in an illicit affair. Each of their lives will be changed when their stories culminate in the Japanese attack on Pearl Harbor.

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Charles Boyer (Gaslight) gives an enthralling performance as Georges Iscovescu, a Romanian-born gigolo who arrives at a Mexican border town seeking entry to the US.

Faced with a waiting period of eight years, George is encouraged by his former dancing partner Anita (Pauline Goddard) to marry an American girl and desert her once safely across the border. He successfully targets visiting school teacher Emmy Brown (Olivia de Havilland), but his plan is compromised by a pursuing immigration officer, and blossoming feelings of genuine love for Emmy.

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Anouk Aimee gives her defining performance as Cecile, a cabaret performer and single mother. Taking the stage name Lola, she entrances Roland (Marc Michel), a young drifter. A friend of Lola since childhood, he yearnsfor herto return his affections but she pines for her husband's return.

In the present, she disports with an American sailor named Frankie (Alan Scott), who in turn is the object of a young girl's affections. The girl's name, like Lola's, is Cecile (Annie Dupeyroux). Set in Nantes overthe span of a few days, this story of love stories crossing paths, of life teeming with co-incidences and missed chances conveys the spirit of the early French New Wave and the cinema of Max Ophuls, to whom Demy also dedicates the film.

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Humphrey Bogart reunites with director Michael Curtiz and other key Casablanca personnel (including co-stars Claude Rains, Peter Lorre and Sydney Greenstreet) for a tension-swept 'Passage to Marseille'.

Bogart plays Jean Matrac, a World War II French patriot who escapes Devil's Island, survives a dangerous freighter voyage and becomes a gunner in the Free French Air Corps. Passage sailed into theatres on stormy seas. Controversy surrounded the scene in which Matrac machine-guns the helpless survivors of a downed plane that attacked the freighter. That a soldier of freedom would act ignobly brought protests from religious and censorship groups. But, like Matrac facing a strafing dive-bomber, the studio held its ground. War could even dehumanise a hero. Domestic prints remained uncut.

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Set in a five-story guesthouse in the middle of a Parisian working class neighbourhood, "Daybreak" opens on the top floor of the building with shouts and a gunshot. A door opens and the body of a man tumbles down the stairs.

As the police start to besiege the building and a crowd gathers, the killer, Francois (Jean Gabin), flees the crime scene and locks himself in his room. After failing to shoot their way into his room the police climb on top of the roof, and Francois, starts to recall previous events... His love for Frangoise (Jacqueline Laurent), the beautiful florist, and her love for Valentin (Jules Berry), the attractive dog trainer. Also starring the renowned Arletty as Clara, Valentin's assistant and suggested lover.