greatest-ever-made's - Rented List

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Hollywood enchantress Ava Gardner (The Killers) casts a glamorous, beguiling spell across this eerily evocative, unjustly overlooked folk horror.

Loosely based around the traditional Scottish ballad, and shot in the Borders, it would be the sole directorial credit of legendary Planet of the Apes actor, Roddy McDowall. Swinging-London photographer Tom Lynn (Ian McShane, Lovejoy), the current bedroom favourite of beautiful, wealthy widow Mrs. Cazaret (Gardner), joins his lover and a kooky coven of bright young things for decadent debauchment at a remote Scottish moorland retreat. But when Tom falls instead for Janet (Stephanie Beacham, Dracula AD 1972), daughter of the local vicar (Cyril Cusack, Fahrenheit 451), he must face the fiery fury of a woman scorned: drug-fuelled, dangerous, deadly games...

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Ann Walton (Mala Powers) is a young woman; newly engaged with a loving family. One night, she's attacked as she leaves work late. She doesn't remember the brutal attacker, only the scar on his neck.

Her shame around her family, her fiancé, and her co-workers eventually drives her out of town, where she seeks solace with the help of the Reverend Bruce Ferguson (Tod Andrews). Yet her assault continues to haunt her even as she tries to repress it, and her terror soon takes a darker turn.

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A forbidding castle in the Black Forest holds danger for Sir Ronald Burton (Richard Greene) when he is invited there for a hunt by the cruel Count von Bruno (Stephen McNally).

Burton - searching for evidence that the Count murdered his friends - becomes ensnared in a cat-and-mouse game that turns deadly when he falls in love with the Counts wife, Elga (Paula Corday). Lovely Elga is being held prisoner by the Count with the help of his hulking servant Gargon (Lon Chaney Jr.). Only the castle physician, Dr. Meissen (Boris Karloff), may have the power to free the lovers, but his method could put them in even greater jeopardy...

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When Phineas Mitchell (Gene Evans), a visionary newspaperman, launches his own title The Globe, his eye-catching headlines and approach quickly ignite with the New York readership.

But less impressed is Charity Hackett (Mary Welch), proprietor of long-established rival The Star, and attempts to undercut The Globe soon escalate into all-out war.

Although each is engaged to someone else, Nickie (Cary Grant) and Terry (Deborah Kerr) meet aboard an ocean liner and fall deeply in love. They agree to rendezvous six months later atop the Empire State Building, but tragedy strikes...and the lovers' future takes an emotional and uncertain turn.

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Noble-born brawler and debaucher, Denis de Beaulieu (Richard Stapley), is selected by the scheming Sire Alain de Maletroit (Charles Laughton) to be forced into marrying his only niece Blanche de Maletroit (Sally Forrest).

Whilst carousing at an inn, Denis is tricked into a fight with one of Maletroit's men and ends up shooting him dead. Whilst fleeing from the chasing mob, Denis takes refuge by entering a strange door at the Maletroit manor, but soon finds himself in the midst of a nightmare from which he cannot escape. Forced to marry a woman he does not love, due to Sire de Maletroit's determination to wreak revenge on his family line, his every move is watched by the creeping manservant Voltan (Boris Karloff). Desperate to escape, the young couple decides to leave the house through the only exit known to them...the torture chamber.

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Inspired by true events, this is the remarkable, action-packed story about the all-female unit of warriors who protected the African Kingdom of Dahomey with skills and a fierceness unlike anything the world has ever seen.

Follow the epic and intense journey of General Nanisca (Viola Davis) as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life.

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A group of weary travellers, a spooky mansion, and a madman on the loose upstairs! Director James Whale's 'The Old Dark House' is one of the best and most entertaining horror films of the 1930's.

Caught in a storm whilst journeying through a remote region of Wales, a group of travellers take refuge in a sinister mansion inhabited by the bizarre Femm family and their mute butler, Morgan (Boris Karloff). Trying to make the best of a bad situation, the group settles in for the night, but the Femm family have a few skeletons in their closet, and one of them is on the loose...

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Lisa Reisert (Rachel McAdams) hates to fly, but the terror that awaits her on the night flight to Miami has nothing to do with a fear of flying.

Moments after takeoff, Lisa's (Rachel McAdams) seatmate, Jackson (Cillian Murphy), menacingly reveals the real reason he's on board: He is an operative in a plot to kill a rich and powerful businessman...And Lisa is the key to its success. If she refuses to cooperate, her father will be killed by an assassin awaiting a call from Jackson. Trapped within the confines of a jet at 30,000 feet, Lisa has nowhere to run and no way to summon help without endangering her father, her fellow passengers and her own life. As the miles tick by, Lisa knows she is running out of time as she desperately looks for a way to thwart her ruthless captor and stop a terrible murder.

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Ghosts and gags galore in this charming double-bill of horror-comedies starring Bob Hope and Paulette Goddard.

The Cat and the Canary (1939)

A decade after the death of an eccentric millionaire, his remaining relatives gather for the reading of the will at his abandoned mansion set deep in the Louisiana bayous. His niece Joyce (Paulette Goddard) is named the sole inheritor, but under the condition that she does not go insane within the next 30 days. The timid Wally (Bob Hope) vows to protect Joyce who must spend the night in the haunted mansion along with her jealous relatives, a creepy maid and a homicidal maniac who has just escaped from a nearby sanitarium.
The Ghost Breakers (1940)
Larry Lawrence (Bob Hope), sought in connection with a murder he did not commit, eludes New York police by hiding in a steamer trunk. Soon the trunk (and Larry) are aboard a ship bound for Cuba, where the trunk's owner, pretty Mary Carter (Paulette Goddard), is sailing to take possession of a recent inheritance: a "haunted" castle. Sensing that Mary is in danger, Larry and his valet precede her to the island, which is inhabited by a ghost, a zombie and perhaps even a flesh-and-blood fiend. There's romance, comedy and chills as Hope and Goddard contend with earthly and un-earthly foes - and try to keep from ending up as ghosts themselves.

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The legendary Marilyn Monroe stars in her second film as budding burlesque queen Peggy Martin - whose innocent blonde dazzle makes her a star among the Ladies Of The Chorus. Peggy gets her big break and steals the show - and the heart of a wealthy young bachelor in the front row.

Suddenly she's being wooed with orchids and promises of a life far away from the demands of the stage. But her mother is not so easily courted. The silvery-but-still-sexy Mae Martin knows first hand how star-crossed romance can end in tears - and put a gal right back in the chorus line. And when the drawing room crowd finally discovers her dance hall past, Peggy thinks that maybe her mother was right - until an unexpected heroine takes the stage to sing a happy-ever-after ending. Monroe's purring performances of "Can't You See I Love You", and "Every Baby Needs A Daddy" highlight the steamy burlesque score and prove once again that Norma Jean was Hollywood's hottest sex kitten.

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All that Bill (John Beck) and Jane (Marsha Mason) Templeton wish for is a quiet, peaceful life with their 11-year-old daughter Ivy (Susan Swift). But their dreams turn to nightmares as Ivy is besieged first by terrifying "memories"...

and then by a mysterious stranger who stalks her every move, and claims that Ivy was in fact his daughter in another life.

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Bill Saunders (Burt Lancaster), disturbed ex-soldier, kills a man in a postwar London pub brawl. Fleeing, he hides out in the apartment of lonely nurse Jane Wharton (Joan Fontaine). Later, despite misgivings about his violent nature, Jane becomes involved with Bill, who resolves to reform.

She gets him a job driving a medical supplies truck. But racketeer Harry Carter (Robert Newton), who witnessed the killing, wants to use Bill's talents for crime.

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August 1962: the latest attempt on the life of French President Charles de Gaulle by the far right paramilitary organisation, the OAS, ends in chaos, with its architect-in-chief dead at the hands of a firing squad.

Demoralised and on the verge of bankruptcy, the OAS leaders meet in secret to plan their next move. In a last desperate attempt to eliminate de Gaulle, they opt to employ the services of a hired assassin from outside the fold. Enter the Jackal (Edward Fox): charismatic, calculating, cold as ice. As the Jackal closes in on his target, a race against the clock ensues to identify and put a stop to a killer whose identity, whereabouts and modus operandi are completely unknown.

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For as long as crime boss Albert Mendoza (Everett Sloane) has been running a notorious ring of hired hit men, District Attorney, Martin Ferguson (Humphrey Bogart), has been hunting him down.

But Ferguson cuts a deal with Mendoza's henchman Joe Rico (Ted de Corsia), and the mob boss is finally arrested. However, Rico dies mysteriously before he can testify against Mendoza, and Ferguson must re-examine years of potential evidence, desperately searching for something to incriminate the gangster with.